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Relating to Rock Art in the Contemporary World: Navigating Symbolism, Meaning, and Significance
6 references·14 citing·48 second hop
Relating to Rock Art in the Contemporary World: Navigating Symbolism, Meaning, and Significance (2016)Relating to Rock Art in the Contemporary …The global implications of the early surviving rock art of greater Southeast Asia (2014)The global implications of th…Rock Art and the Sacred Landscapes of Mainland Southeast Asia (2013)Rock Art and the Sacred Lands…Rock Art and the UNESCO World Heritage List (2012)Rock Art and the UNESCO World…Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective (2012)Recursive and Iterative Proce…Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art (1992)Signs from the Ancestors: Zun…Images of Power and the Power of Images: The Significance of Rock Art for Contemporary Zunis (1985)Images of Power and the Power…Beholding through being: understanding the phenomenal agency of indigenous-made imagery (2026)Beholding through being: unde…Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World (2024)Graffiti, Vandalism and Destr…Claiming rock art, claiming indigeneity: Spaces and scales of recognition in Khoe and San identity claims (2024)Claiming rock art, claiming i…Arts préhistoriques : un tournant ontologique ? 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Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras (2019)„Szaman nigdy nie umiera”. Sz…Beyond the colonial encounter: global approaches to contact rock art studies (2018)Beyond the colonial encounter…Social Values and Rock Art Tourism: An Ethnographic Study of the Huashan Rock Art Area (China) (2017)Social Values and Rock Art To…The Artworld (1964)Contemporary Indigenous Relationships to Archaeological Features: Agency, Affect, and the Social Significance of Rock Art (2016)Assessing the Stability and Sustainability of Rock Art Sites: Insight from Southwestern Arizona (2017)Nietzsche and Philosophy (1984)Ancestral Connections: Art and an Aboriginal System of Knowledge. 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(1976)The Invention of Tradition (1986)The Invention of Tradition (2012)Building a better society: The Vital role of Family's social values in creating a culture of giving in young Children's minds (2024)Alternative Archaeologies: Nationalist, Colonialist, Imperialist (1984)Art And Agency (1998)Aboriginal Memories of Inundation of the Australian Coast Dating from More than 7000 Years Ago (2015)Archaeology and Kastom: Island Historicities and Transforming Religious Traditions in Southern Vanuatu (2022)Island tales: culturally-filtered narratives about island creation through land submergence incorporate millennia-old memories of postglacial sea-level rise (2022)Archaeological evidence of an ethnographically documented Australian Aboriginal ritual dated to the last ice age (2024)A History of Archaeological Thought (2006)Entangled: an archaeology of the relationships between humans and things (2013)Resistance and remembering through rock art: Contact‐period rock art in Wardaman country, Northern Australia (2021)Exploring ideas behind the whale images in the Norwegian Rock Art Record (2022)Rock Images of the Dead (2025)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)EuroQol - a new facility for the measurement of health-related quality of life (1990)The Role of Local Communities and Well-Being in UNESCO World Heritage Site Conservation: An Analysis of the Operational Guidelines, 1994–2019 (2021)Exploring the relationships between heritage tourism, sustainable community development and host communities’ health and wellbeing: A systematic review (2023)What promotes residents’ donation behavior for adaptive reuse of cultural heritage projects? 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this work references cited by second hop

References

  • 2014The global implications of the early surviving rock art of greater Southeast Asia87 cited
  • 1992Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art58 cited
  • 1985Images of Power and the Power of Images: The Significance of Rock Art for Contemporary Zunis42 cited
  • 2012Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective38 cited
  • 2013Rock Art and the Sacred Landscapes of Mainland Southeast Asia29 cited
  • 2012Rock Art and the UNESCO World Heritage List25 cited

Cited by

  • 2019New and Emerging Challenges to Heritage and Well-Being: A Critical Review79 cited
  • 2019Excavating and interpreting ancestral action: Stories from the subsurface of Orokolo Bay, Papua New Guinea18 cited
  • 2017Social Values and Rock Art Tourism: An Ethnographic Study of the Huashan Rock Art Area (China)13 cited
  • 2018Beyond the colonial encounter: global approaches to contact rock art studies11 cited
  • 2020‘I Have Done Hundreds of Rock Paintings’: On the Ongoing Rock Art Tradition among Samburu, Northern Kenya7 cited
  • 2022Meaningful choices and relational networks: Analysing western Arnhem Land’s Painted Hand rock art style using chaîne opératoire6 cited
  • 2024Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World4 cited
  • 2024

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Claiming rock art, claiming indigeneity: Spaces and scales of recognition in Khoe and San identity claims
3 cited
  • 2024Arts préhistoriques : un tournant ontologique ?2 cited
  • 2019„Szaman nigdy nie umiera”. Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras2 cited
  • 2021IS PREHISTORIC ART SOLELY ABOUT THE PAST? NEW LIVES OF ROCK ART IMAGES IN CONTEMPORARY ART (FROM SIBERIA TO CANADA)2 cited
  • 2021Rock art as a source of contemporary cultural identity: a Siberian-Canadian Comparative Study1 cited
  • 2024“I Am From Here”: Rock Art, Heritage and Identity0 cited
  • 2026Beholding through being: understanding the phenomenal agency of indigenous-made imagery0 cited