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The Model Antiphon SeriesPrimum quaeritein Hucbald’s OfficeIn plateisand in Other Post-Carolingian Chant
6 references·0 citing·22 second hop
The Model Antiphon SeriesPrimum quaeritein Hucbald’s OfficeIn plateisand in Other Post-Carolingian Chant (2016)The Model Antiphon SeriesPrimum quaeritei…ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING (2011)ON THE TREATMENT OF PITCH IN …Gregorian Chant (2009)Gregorian ChantThe Critical Nexus (2008)The Critical NexusMedieval Composers of Liturgical Chant (2006)Medieval Composers of Liturgi…Notes, scales, and modes in the earlier Middle Ages (2002)Notes, scales, and modes in t…Furta Sacra (1978)Furta SacraOrality and Literacy (1982)The Domestication of the Savage Mind (1982)The Interface between the Written and the Oral (1989)Writing Sounds in Carolingian Europe : The Invention of Musical Notation (2018)Notation Cultures: Towards an Ethnomusicology of Notation (2019)Music, Encounter, Togetherness (2024)Greek Musical Writings (1990)Ancient Greek Music (1992)The New Grove dictionary of music and musicians (2001)Bartók's Polymodality (2015)BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’ (2015)Greek Ethnic Modal Names vs. Alia Musica’s Nomenclature (2015)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Renaissance Polyphony (2020)Medieval Music, Legend, and the Cult of St Martin: The Local Foundations of a Universal Saint (2014)Music Theory from Boethius to Zarlino: A Bibliography and Guide (2008)Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century (2016)Unlocking the Riddles of Classical Greek Melodies II: The Revolution of the New Music in the Ashmolean Papyri (DAGM 5–6) and Athenaeus’ Paean (DAGM 20) (2022)Coinage and Identity in the Roman Provinces (2005)Coinage and Identity in the Roman Provinces (2005)Festivals and Games in the Cities of the East during the Roman Empire (2005)
this work references cited by second hop

References

  • 1978Furta Sacra293 cited
  • 2009Gregorian Chant87 cited
  • 2011ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING60 cited
  • 2002Notes, scales, and modes in the earlier Middle Ages39 cited
  • 2008The Critical Nexus25 cited
  • 2006Medieval Composers of Liturgical Chant22 cited

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