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On the Outer Rim of Jazz: Mexican American Jazzmen and the Making of the Modern Pacific Borderlands, 1950–1969
16 references·0 citing·29 second hop
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References

  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 2014How race is made in America: immigration, citizenship, and the historical power of racial scripts221 cited
  • 2017Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War194 cited
  • 2013Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles147 cited
  • 2013The Fierce Urgency of Now: Improvisation, Rights, and the Ethics of Cocreation123 cited
  • 2009Musicians from a Different Shore: Asians and Asian Americans in Classical Music85 cited
  • 2010The woman in the zoot suit: gender, nationalism, and the cultural politics of memory79 cited
  • 2008Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935–196874 cited
  • 1992West Coast jazz: modern jazz in California, 1945-196061 cited
  • 1992Hard bop: jazz and black music, 1955-196544 cited
  • 1999Stopping Time: Paul Bley and the Transformation of Jazz34 cited
  • 2006From Afro-Cuban Rhythms to Latin Jazz28 cited
  • 1987Those Swinging Years: The Autobiography of Charlie Barnet21 cited
  • 1991There and back: the Roy Porter story19 cited
  • 1972La Raza Influence in Jazz.10 cited

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  • 2013From coveralls to zoot suits: the lives of Mexican American women on the World War II home front9 cited
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