Clashing Harmonic Systems in Haas'sBlumenstückandin vain

Robert Hasegawa

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Musicology and Musical Analysis Music Technology and Sound Studies Literature, Musicology, and Cultural Analysis

Abstract

Georg Friedrich Haas (b. 1953) has been recognized as a major second-generation “spectralist” composer, but that designation ignores the substantial influence on his music of earlier microtonal composers, especially Ivan Wyschnegradsky, a pioneer of microtonal equal temperaments, and Harry Partch, who developed a system of extended just intonation based on the intervals of the overtone series. Haas's recent works Blumenstück (2000) and in vain (2000) create large-scale form by dramatizing the opposition between equal temperament and just intonation.

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References

1984The Postmodern Condition: A Report on Knowledge 1988Generalized Musical Intervals and Transformations 2011Tonality and Transformation 1987Generalized Musical Intervals and Transformations 2011Tonality and transformation 1974Genesis of a music : an account of a creative work, its roots and its fulfillments 2004György Ligeti and the Rhetoric of Autonomy 2008The spectral music of James Tenney

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2021Melody on the Threshold in Spectral Music 2022Interpretive Difficulty and Emergent Structure in Contemporary Music

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