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Sublimating Sharp 4 : An Exercise in Schenkerian Energetics
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Sublimating Sharp 4 : An Exercise in Schenkerian Energetics (2004)Sublimating Sharp 4 : An Exercise in Sche…The Volta: A Galant Gesture of Culmination (2020)The Volta: A Galant Gesture o…Inwardness and Inner Melodies in Brahms’s Piano Works (2017)Inwardness and Inner Melodies…Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure (2009)Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’sRodelinda (2013)Uplift, Gender, and Scott Joplin's Treemonisha (2015)Schenker's "Motivic Parallelisms" (1978)Markedness: The evaluative superstructure of language (1994)Metaphors of Depth in German Musical Thought (2011)Cognition and Categorization (1979)Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)In Search of Carl Czerny’s Schemata: Listening to Early Nineteenth-Century Improvisation (2022)Who Listens? (2025)
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  • 2020The Volta: A Galant Gesture of Culmination25 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2017Inwardness and Inner Melodies in Brahms’s Piano Works3 cited

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