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Profiled hands in Palaeolithic art: the first universally recognized symbol of the human form
16 references·3 citing·34 second hop
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  • 1998Art And Agency3,452 cited
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  • 1999Art and Agency: An Anthropological Theory1,929 cited
  • 1964The Artworld990 cited
  • 1993Cultivating the Body: Anthropology and Epistemologies of Bodily Practice and Knowledge737 cited
  • 2014Pleistocene cave art from Sulawesi, Indonesia655 cited
  • 2016Meditations on First Philosophy652 cited
  • 2012U-Series Dating of Paleolithic Art in 11 Caves in Spain575 cited
  • 2002Hunter‐gatherers: An interdisciplinary perspective503 cited
  • 1975Art and the Aesthetic: An Institutional Analysis436 cited
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  • 1998Becoming Human249 cited
  • 2006The nature of Paleolithic art244 cited
  • 2007Origins and Revolutions210 cited

Cited by

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2023
Hand stencils and communal history: A case study from Auwim, East Sepik, Papua New Guinea
3 cited
  • 2020Rock Art and Children: Towards an Inter-Generational Perspective on Past and Present Visual Cultures3 cited
  • 2025Zoo-Ontologies: Materiality and Visuality in the Multispecies Tangle3 cited