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Putting the audience in the picture: Mise-en-shot and psychological immersion in audio described film
15 references·2 citing·41 second hop
Putting the audience in the picture: Mise-en-shot and psychological immersion in audio described film (2016)Putting the audience in the picture: Mise…Audio Description from a discourse perspective: a socially relevant framework for research and training (2021)Audio Description from a disc…Cinematic language and the description of film: keeping AD users in the frame (2013)Cinematic language and the de…Making meaning in AVT: eye tracking and viewer construction of narrative (2012)Making meaning in AVT: eye tr…Creating Coherence in Audio Description (2012)Creating Coherence in Audio D…Understanding audience involvement: Conceptualizing and manipulating identification and transportation (2010)Understanding audience involv…Audio narration: re-narrativising film (2010)Audio narration: re-narrativi…Dubbing or Subtitling? (2009)Dubbing or Subtitling?Audio description: Professional recognition, practice and standards in Spain (2005)Audio description: Profession…Understanding Media Enjoyment: The Role of Transportation Into Narrative Worlds (2004)Understanding Media Enjoyment…Psychonarratology foundations for the empirical study of literary response (2003)Psychonarratology foundations…In the Mind's Eye Transportation-Imagery Model of Narrative Persuasion (2003)In the Mind's Eye Transportat…The role of transportation in the persuasiveness of public narratives. (2000)The role of transportation in…Windows of Focalization: Deconstructing and Reconstructing a Narratological Concept (1996)Windows of Focalization: Deco…Watching Television: Hermeneutics, Reception and Popular Culture (1995)Watching Television: Hermeneu…Film Form: Essays in Film Theory (1949)Film Form: Essays in Film The…Audio Described vs. Audiovisual Porn: Cortisol, Heart Rate and Engagement in Visually Impaired vs. Sighted Participants (2021)Audio Described vs. Audiovisu…Audio Description: Concepts, Theories and Research Approaches (2020)Audio Description: Concepts, …Beyond boredom and anxiety (1975)Forschungsmethoden und Evaluation (2006)Enhancing television advertising: same-language subtitles can improve brand recall, verbal memory, and behavioral intent (2013)Dubbing versus subtitling in young and older adults: cognitive and evaluative aspects (2014)Towards a cognitive audiovisual translatology (2016)The Discourse of Pictures: Iconicity and Film Studies (1993)Evaluating Visual Information Provided by Audio Description (1996)Enriched Audio Description: Working Towards an Inclusive Museum Experience (2017)Museum audio description: the problem of textual fidelity (2018)The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976)Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters (2001)The Role of a Narrative's Emotional Flow in Promoting Persuasive Outcomes (2014)Examining Four Processes of Audience Involvement With Media Personae: Transportation, Parasocial Interaction, Identification, and Worship (2015)Fostering Parasocial Relationships with Celebrities on Social Media: Implications for Celebrity Endorsement (2017)Actual Minds, Possible Worlds. (1986)Flow: the psychology of optimal experience (1990)The need to belong: Desire for interpersonal attachments as a fundamental human motivation. (1995)GameFlow (2005)Toward a Theory of Entertainment Persuasion: Explaining the Persuasive Effects of Entertainment-Education Messages (2008)The Differential Susceptibility to Media Effects Model (2013)Scripts, plans, goals, and understanding : an inquiry into human knowledge structures. By Roger C. Schank and Robert P. Abelson. Hillsdale, NJ: Lawrence Erlbaum Associates, 1977. Pp. 248. (1978)Strategies of Discourse Comprehension (1985)Relevance: Communication and Cognition (1986)Audiodescription Research: State of the Art and Beyond (2008)The rogue poster-children of universal design: closed captioning and audio description (2009)ASPECTS OF THE THEORY OF SYNTAX (1964)On The Language Instinct (1994)Literature in Language Education (2005)COGNITIVE MODELS OF WRITING: WRITING PROFICIENCY AS A COMPLEX INTEGRATED SKILL (2008)Cohesion in English (2014)Narrative theory and the dynamics of popular movies (2016)Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama (2001)Focalization in Graphic Narrative (2011)The Oxford history of world cinema (1997)The Close-Up: Scale and Detail in the Cinema (2003)Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)Experiencing Products in the Virtual World: The Role of Goal and Imagery in Influencing Attitudes versus Purchase Intentions (2003)Prejudice Reduction: What Works? A Review and Assessment of Research and Practice (2008)Automated Text Analysis for Consumer Research (2017)Entertainment-Education and Elaboration Likelihood: Understanding the Processing of Narrative Persuasion (2002)Reading Literary Fiction Improves Theory of Mind (2013)
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References

  • 2000The role of transportation in the persuasiveness of public narratives.4,849 cited
  • 2004Understanding Media Enjoyment: The Role of Transportation Into Narrative Worlds1,270 cited
  • 1949Film Form: Essays in Film Theory878 cited
  • 2003In the Mind's Eye Transportation-Imagery Model of Narrative Persuasion528 cited
  • 2010Understanding audience involvement: Conceptualizing and manipulating identification and transportation441 cited
  • 2003Psychonarratology foundations for the empirical study of literary response327 cited
  • 1996Windows of Focalization: Deconstructing and Reconstructing a Narratological Concept116 cited
  • 2009Dubbing or Subtitling?85 cited
  • 2021Audio Description from a discourse perspective: a socially relevant framework for research and training84 cited
  • 2013Cinematic language and the description of film: keeping AD users in the frame80 cited
  • 2010Audio narration: re-narrativising film80 cited
  • 2005Audio description: Professional recognition, practice and standards in Spain64 cited
  • 2012Creating Coherence in Audio Description54 cited
  • 2012Making meaning in AVT: eye tracking and viewer construction of narrative53 cited
  • 1995Watching Television: Hermeneutics, Reception and Popular Culture

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46 cited

Cited by

  • 2020Audio Description: Concepts, Theories and Research Approaches27 cited
  • 2021Audio Described vs. Audiovisual Porn: Cortisol, Heart Rate and Engagement in Visually Impaired vs. Sighted Participants24 cited