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Music and Islam in the Saharawi refugee camps of the Hamada desert, Algeria: the practice of medej as a syncretic musical evolution
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References

  • 1998Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices1,955 cited
  • 1989Zones of Theory in the Anthropology of the Arab World259 cited
  • 1999Syncretism and Its Synonyms: Reflections on Cultural Mixture205 cited
  • 1985Music, Musicians and Muslim Law139 cited
  • 1997Interpreting world music: a challenge in theory and practice100 cited
  • 2007Ethnomusicology: A Contemporary Reader74 cited
  • 1995Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics54 cited
  • 1971The Maqam Phenomenon: An Improvisation Technique in the Music of the Middle East40 cited
  • 2005So Near, So Far: Kabul's Music in Exile36 cited
  • 1986Tradition in the Guise of Innovation: Music among a Refugee Population36 cited
  • 1999The Transmission of Islamic Knowledge in Moorish Society From the Rise of the Almoravids To the 19Th Century30 cited
  • 1999Diffusion and Syncretism: The Modern Jazz Tradition22 cited
  • 1997Origins of the Musical and Spiritual Syncretism of Nomai in Northern Japan21 cited
  • 2016Taarab Music in Zanzibar in the Twentieth Century: A Story of ‘Old is Gold’ and Flying Spirits18 cited
  • 2010Introduction

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  • 2005The Evolution of Rai Music11 cited
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