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On the Expression of Emotions in Rembrandt’s Art
16 references·0 citing·27 second hop
On the Expression of Emotions in Rembrandt’s Art (2016)On the Expression of Emotions in Rembrand…The Sublime Seneca: Ethics, Literature, Metaphysics (2015)The Sublime Seneca: Ethics, L…The Sublime Seneca (2015)The Sublime SenecaThe Sublime in Modern Philosophy (2013)The Sublime in Modern Philoso…Rembrandt and the Female Nude (2011)Rembrandt and the Female NudeSeneca and the Idea of Tragedy (2009)Seneca and the Idea of TragedyThe Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age (2008)The Visible World : Samuel va…Representing the Passions: Histories, Bodies, Visions (2003)Representing the Passions: Hi…Rembrandt's Eyes (1999)Rembrandt's EyesThe rhetoric of suffering: reading the Book of Job in the eighteenth century (1996)The rhetoric of suffering: re…The Expression Of The Passions (1994)The Expression Of The PassionsDutch Literature in the Age of Rembrandt: Themes and ideas (1991)Dutch Literature in the Age o…Dutch Literature in the Age of Rembrandt (1991)Dutch Literature in the Age o…Rembrandt's Self-Portraits: A Study in Seventeenth-Century Indentity (1990)Rembrandt's Self-Portraits: A…Rembrandt's self-portraits: a study in seventeenth-century identity (1990)Rembrandt's self-portraits: a…On the sublime (1964)On the sublimeRembrandt and His Critics 1630–1730 (1953)Rembrandt and His Critics 163…Facial and Vocal Expressions of Emotion (2002)Face Expression Recognition and Analysis: The State of the Art (2012)Applying the Theory of Affective Intelligence to Support for Authoritarian Policies and Parties (2019)Painting and Publishing as Cultural Industries. The Fabric of Creativity in the Dutch Republic, 1580-1800 (2016)The Sublime and the “Beholder’s Share”: Junius, Rubens, Rembrandt (2016)Impossible Desire and the Limits of Knowledge in Renaissance Poetry (2019)Museums After Modernism (2007)Portraits in painting and photography (2007)The sincerest form of flattery: Innovation, repetition, and status in an art movement (2013)The Book of Job (2014)Figurative Language and Thought (1998)Lost in the Wilderness: Terror Management, Action Orientation, and Nature Evaluation. (2005)Against Narrative: A Preface to Lyrical Sociology (2007)Admiration and Motivation (2018)Herder's Naturalist Aesthetics (2019)Showing They Care (Or Don’t): Affective Publics and Ambivalent Climate Activism on TikTok (2021)Staging Nero: Public Imagery and the Domus Aurea (2017)The Cambridge Companion to the Age of Nero (2017)Cosmic Choruses (2019)Towards a Sociology of Translation (1999)Translation as a cultural world system (2000)The Cambridge History of the Book in Britain (2002)Greek Philosophy in the Twenty-first Century (2016)Seneca's Characters (2022)Tiresias between texts and sex (2012)William James and the Impetus of Stoic Rhetoric (2012)Senecan Tragedy (2013)
this work references cited by second hop

References

  • 1964On the sublime189 cited
  • 2013The Sublime in Modern Philosophy184 cited
  • 1991Dutch Literature in the Age of Rembrandt156 cited
  • 2015The Sublime Seneca113 cited
  • 1994The Expression Of The Passions101 cited
  • 2008The Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age98 cited
  • 2009Seneca and the Idea of Tragedy76 cited
  • 1999Rembrandt's Eyes49 cited
  • 2015The Sublime Seneca: Ethics, Literature, Metaphysics49 cited
  • 1996The rhetoric of suffering: reading the Book of Job in the eighteenth century49 cited
  • 2003Representing the Passions: Histories, Bodies, Visions39 cited
  • 1953Rembrandt and His Critics 1630–173028 cited
  • 2011Rembrandt and the Female Nude23 cited
  • 1990Rembrandt's self-portraits: a study in seventeenth-century identity23 cited
  • 1990Rembrandt's Self-Portraits: A Study in Seventeenth-Century Indentity18 cited
  • 1991Dutch Literature in the Age of Rembrandt: Themes and ideas16 cited

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