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İPLİK SANATI: SANAT ALANINA KABUL EDİLME MÜCADELESİ VE ÇAĞDAŞ BİR SANAT DALI OLARAK YÜKSELİŞİ (FIBER ART: THE STRUGGLE FOR ITS CONSIDERATION AS ART AND ITS RISE AS A CONTEMPORARY FIELD OF ART)
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İPLİK SANATI: SANAT ALANINA KABUL EDİLME MÜCADELESİ VE ÇAĞDAŞ BİR SANAT DALI OLARAK YÜKSELİŞİ (FIBER ART: THE STRUGGLE FOR ITS CONSIDERATION AS ART AND ITS RISE AS A CONTEMPORARY FIELD OF ART) (2016)İPLİK SANATI: SANAT ALANINA KABUL EDİLME …A Sign of the Times: Sheila Hicks, the Fiber Arts Movement, and the Language of Liberation (2014)A Sign of the Times: Sheila H…Needlework through History (2007)Needlework through HistoryCrafting culture, fabricating identity: gender and textiles in Limerick lace, Clare embroidery and the Deerfield Society of Blue and White Needlework. (2007)Crafting culture, fabricating…William Morris on Art and Socialism (1999)William Morris on Art and Soc…Golden age to separate spheres? A review of the categories and chronology of English women's history (1993)Myths and Memories of the Nation (2000)Distinction: A Social Critique of the Judgement of Taste* (2018)Güncel Sanatta Tekstil Heykellerin Temsil Niteliği (2020)Exploring a critical research approach in fibre art studies in the United States (2021)SHEİLA HİCKS: ÖRME / DOKUMA RENKLER (2022)Perforated Cardboards: A Support for Embroidery Used for Various Everyday Objects in the Victorian Age (2019)William Morris, Extraction Capitalism, and the Aesthetics of Surface (2015)
this work references cited by second hop

References

  • 1999William Morris on Art and Socialism21 cited
  • 2007Needlework through History19 cited
  • 2014A Sign of the Times: Sheila Hicks, the Fiber Arts Movement, and the Language of Liberation7 cited
  • 2007Crafting culture, fabricating identity: gender and textiles in Limerick lace, Clare embroidery and the Deerfield Society of Blue and White Needlework.4 cited

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