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Bergson before Bergsonism: Traversing “Bergson’s Failing” in Susanne K. Langer’s Philosophy of Art
16 references·0 citing·33 second hop
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References

  • 2007Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning7,214 cited
  • 2003Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter7,050 cited
  • 1948Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art868 cited
  • 1946The Creative Mind: An Introduction to Metaphysics831 cited
  • 201917. ‘The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others’565 cited
  • 2005Time Travels: Feminism, Nature, Power515 cited
  • 2000Dictionary of literary biography346 cited
  • 2005Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter346 cited
  • 2011Semblance and Event: Activist Philosophy and the Occurrent Arts264 cited
  • 1954Feeling and Form. A Theory of Art Developed from Philosophy in a New Key214 cited
  • 2011“A Different Starting Point, a Different Metaphysics”: Reading Bergson and Barad Diffractively115 cited
  • 2013The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others100 cited
  • 2002The Non-Philosophy of Gilles Deleuze61 cited
  • 2013‘Technical Mentality’ Revisited: Brian Massumi on Gilbert Simondon58 cited
  • 2006Meeting the Universe Halfway

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  • 2022Posthumanist performativity19 cited
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