"Keep Young and Beautiful": Surplus and Subversion in "Roman Scandals.".

Abstract

Bellour and the End of Analysis. Bellour's little polemic is, as might have been ex pected, both provocative and peculiar. He begins by telling his readers that the anal ysis of films finally become an art without a future (54; emphasis added). Apparently it has gone up in flames, has burned itself out. Yet the author does not suggest that his love of cinema has con sumed itself in this way. It is another love of which he writes, a love of whose ending lends an elegiac tone to the piece, even in the awkward translation printed by Dia critics:

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