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Color in monumental Mexica sculpture
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Color in monumental Mexica sculpture (2012)Color in monumental Mexica sculptureColouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi (2011)Colouring materials of pre-Co…Stabilization of the Tlaltecuhtli monolith pigments (2010)Stabilization of the Tlaltecu…Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Pre-columbian nanotechnology:…El chacmool mexica (2001)El chacmool mexicaAnalysis of prehispanic pigments from “Templo Mayor” of Mexico city (2001)Analysis of prehispanic pigme…CHEMICAL AND MINERALOGICAL ANALYSES OF GALLO‐ROMAN WALL PAINTING FROM DIETIKON, SWITZERLAND (1996)CHEMICAL AND MINERALOGICAL AN…Mexican Manuscript Painting of the Early Colonial Period: The Metropolitan Schools (1995)Mexican Manuscript Painting o…VIII. Some experiments and observations on the colours used in painting by the ancients (1815)Science and Archaeology (1972)Technological Examination of Egyptian Blue (1984)Clay and iron oxide pigments in the history of painting (2003)Archaeometry and materiality: materials‐based analysis in theory and practice* (2004)Green pigments of the Pompeian artists’ palette (2008)Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue Paint: An Ancient Nanostructured Material (1996)A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Painting Materials: A Short Encyclopedia (2011)Pigments—the palette of organic colourants in wall paintings (2021)Florentine Codex: General history of the things of New Spain (1950)Materials Issues in Art and Archaeology (1991)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique (2015)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)La diosa Tlaltecuhtli de la Casa de las Ajaracas y el rey Ahuitzotl (2007)Maya Blue: How the Mayas Could Have Made the Pigment (1988)Archaeometric Analysis of Pigments from the Tomb of Nakht-Djehuty (TT189), El-Qurna Necropolis, Upper Egypt (2013)Unveiling the Use ofCretain Roman Plasters: Analysis of Clay Wall Paintings FromBrixia(Italy) (2016)Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica (2019)El Chacmool de Míxquic y el sacrificio humano (2009)CHILD SACRIFICE IN TULA: A BIOARCHAEOLOGICAL STUDY (2021)Identification of Colorants on Maps from the Early Colonial Period of New Spain (Mexico) (1998)“That Damned Mob of Scribbling Women” (2015)The Cambridge History of Latin American Women's Literature (2015)
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References

  • 2007Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment110 cited
  • 1996CHEMICAL AND MINERALOGICAL ANALYSES OF GALLO‐ROMAN WALL PAINTING FROM DIETIKON, SWITZERLAND61 cited
  • 2011Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi55 cited
  • 1995Mexican Manuscript Painting of the Early Colonial Period: The Metropolitan Schools54 cited
  • 2001Analysis of prehispanic pigments from “Templo Mayor” of Mexico city23 cited
  • 2001El chacmool mexica10 cited
  • 2010Stabilization of the Tlaltecuhtli monolith pigments8 cited

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