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The Exploding Frame: Uses of Photography in Timothy Findley’s The Wars
6 references·0 citing·13 second hop
The Exploding Frame: Uses of Photography in Timothy Findley’s The Wars (1981)The Exploding Frame: Uses of Photography …Time Exposure and Snapshot: The Photograph as Paradox (2013)Time Exposure and Snapshot: T…The Eye in the Text (1983)The Eye in the TextThe Art of Margaret Atwood : essays in criticism (1980)The Art of Margaret Atwood : …Kunst und Photographie (1978)Kunst und PhotographieArt and Photography (1969)Art and PhotographyThe voices of silence (1953)The voices of silenceThe image-freezing machine (1976)Representing Motion in a Static Image: Constraints and Parallels in Art, Science, and Popular Culture (2002)Newspaper journalism and video: Motion, sound, and new narratives (2011)Children's Conceptions of the Arts (1975)Objects and Others: Essays on Museums and Material Culture (1989)Foucault’s museum: difference, representation, and genealogy (2006)Photo-unrealism: The Contribution of the Camera to the Crisis of Ocularcentrism (1995)Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics (2015)Visual storytelling on Instagram: branded photo narrative and the role of telepresence (2020)Fotografie (2011)“Stalked by Love”: Female Paranoia and the Stalker Novel (1996)PLACES AND SPACES OF DISLOCATION: LADY ORACLE'S TORONTO (1997)The Calculus of Love and Nightmare:The Handmaid's Taleand the Dystopian Tradition (1997)
this work references cited by second hop

References

  • 1969Art and Photography99 cited
  • 1953The voices of silence69 cited
  • 2013Time Exposure and Snapshot: The Photograph as Paradox51 cited
  • 1980The Art of Margaret Atwood : essays in criticism28 cited
  • 1983The Eye in the Text7 cited
  • 1978Kunst und Photographie6 cited

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