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Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece

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References

1990Chaste Thinking: The Rape of Lucretia and the Birth of Humanism197 cited
1987Shakespeare and the Question of Theory152 cited
1984The Rapes of Lucretia: A Myth and Its Transformations121 cited
2006Shakespeare and Music94 cited
2004Shakespeare's songbook69 cited
2011The Oxford Handbook of Early Modern Theatre52 cited
2011Writing Rape, Writing Women in Early Modern England46 cited
2003Jacobean Public Theatre40 cited
2009Violence Against Women in Early Modern Performance32 cited
2016Thomas Heywood's Theatre, 1599–163925 cited
2009Violence Against Women in Early Modern Performance: Invisible Acts23 cited
2004Shakespeare's songbook22 cited
1961Shanties from the Seven Seas; Shipboard Work-Songs and Songs Used as Work-Songs from the Great Days of Sail17 cited

Cited by

2019Why was The Knight of the Burning Pestle Revived?3 cited
2017Rape, Massacre, The Lucrece Tradition, and Alarum for London3 cited

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