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Unemployment of professional artists: empirical evidence from Australia
16 references·0 citing·43 second hop
Unemployment of professional artists: empirical evidence from Australia (2016)Unemployment of professional artists: emp…The Global Economic Crisis (2013)The Global Economic CrisisOECD Factbook 2013 (2013)OECD Factbook 2013Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Looking Back, Looking Forward…Winning and losing in the creative industries: an analysis of creative graduates' career opportunities across creative disciplines (2011)Winning and losing in the cre…Skills for creative industries graduate success (2011)Skills for creative industrie…Multiple job-holding and artistic careers: some empirical evidence (2011)Multiple job-holding and arti…OECD Employment Outlook 2010 (2010)OECD Employment Outlook 2010Do you really expect to get paid?: an economic study of professional artists in Australia (2010)Do you really expect to get p…The concentric circles model of the cultural industries (2008)The concentric circles model …Museum collections and sustainability (2008)Museum collections and sustai…Creative Industries Mapping: Where have we come from and where are we going? (2008)Creative Industries Mapping: …Business Research Methods and Statistics Using SPSS (2008)Business Research Methods and…The Flight of the Creative Class: The New Global Competition for Talent (2005)The Flight of the Creative Cl…Don't give up your day job : an economic study of professional artists in Australia (2003)Don't give up your day job : …Artists as workers: Theoretical and methodological challenges (2001)Artists as workers: Theoretic…ARTISTIC LABOR MARKETS AND CAREERS (1999)ARTISTIC LABOR MARKETS AND CA…Why Are Artists Poor? (2002)Chapter 22 Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management (2006)Follow your heart or your head? A longitudinal study of the facilitating role of calling and ability in the pursuit of a challenging career. (2014)Multiple Jobholding: An Integrative Systematic Review and Future Research Agenda (2019)Creative industries: contracts between art and commerce (2000)Economics and Culture (2000)The Creative Economy: How People Make Money From Ideas (2001)Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2006)Modelling the cultural industries (2008)The role of deliberate practice in the acquisition of expert performance. (1993)Changing Highbrow Taste: From Snob to Omnivore (1996)Pierre Bourdieu, The Field of Cultural Production: Essays on Art and Literature (1996)“That’s the Experience” (2015)Embedded in the Crowd: Creative Freelancers, Crowdsourced Work, and Occupational Community (2018)Informal creative labour practices: A relational work perspective (2018)Making Sense of Marx (1985)Cultural economy: a critical review (2005)Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)Intrinsic and Extrinsic Motivations: Classic Definitions and New Directions (2000)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Not a dirty word: Arts entrepreneurship and higher education (2012)Systems of Innovation (2013)Preparing graduates for work readiness: an overview and agenda (2019)The social psychology of organizing (1969)The System of Professions (1988)The Human Condition (1998)The Production of Culture Perspective (2004)Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations (2006)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91 (1997)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Creative Cities, Creative Spaces and Urban Policy (2009)Creative Industries after the First Decade of Debate (2010)Entrepreneurial Cognition, Entrepreneurial Orientation and Firm Capability in the Creative Industries (2011)Tourism, Creativity and Development (2007)Financialization and U.S. Income Inequality, 1970–2008 (2013)Smart Cities: Definitions, Dimensions, Performance, and Initiatives (2015)OECD Employment Outlook 2019 (2019)Coronavirus (COVID-19): SME policy responses (2020)The territorial impact of COVID-19: Managing the crisis across levels of government (2020)Entrepreneurial intention among engineering students: The role of entrepreneurship education (2017)Expanding the Technology Acceptance Model with the Inclusion of Trust, Social Influence, and Health Valuation to Determine the Predictors of German Users’ Willingness to Continue using a Fitness App: A Structural Equation Modeling Approach (2017)Sample Size for Survey Research: Review and Recommendations (2020)
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References

  • 2008Business Research Methods and Statistics Using SPSS896 cited
  • 1999ARTISTIC LABOR MARKETS AND CAREERS843 cited
  • 2005The Flight of the Creative Class: The New Global Competition for Talent496 cited
  • 2008The concentric circles model of the cultural industries428 cited
  • 2013Looking Back, Looking Forward: Arts-Based Careers and Creative Work253 cited
  • 2011Multiple job-holding and artistic careers: some empirical evidence247 cited
  • 2008Creative Industries Mapping: Where have we come from and where are we going?213 cited
  • 2010OECD Employment Outlook 2010207 cited
  • 2011Skills for creative industries graduate success181 cited
  • 2001Artists as workers: Theoretical and methodological challenges155 cited
  • 2003Don't give up your day job : an economic study of professional artists in Australia145 cited
  • 2010Do you really expect to get paid?: an economic study of professional artists in Australia106 cited
  • 2011Winning and losing in the creative industries: an analysis of creative graduates' career opportunities across creative disciplines102 cited
  • 2008Museum collections and sustainability77 cited
  • 2013OECD Factbook 201376 cited

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  • 2013The Global Economic Crisis44 cited
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