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Consolidation of Black-dyed Māori Textile Artefacts: Evaluating the Efficacy of Sodium Alginate
11 references·1 citing·38 second hop
Consolidation of Black-dyed Māori Textile Artefacts: Evaluating the Efficacy of Sodium Alginate (2016)Consolidation of Black-dyed Māori Textile…Dyes in History and Archaeology 41 (2023)Dyes in History and Archaeolo…Light-ageing characteristics of Māori textiles: Colour, strength and molecular change (2016)Light-ageing characteristics …Investigation into non-aqueous remedial conservation treatments for iron-tannate dyed organic materials (2013)Investigation into non-aqueou…Production and validation of model iron-tannate dyed textiles for use as historic textile substitutes in stabilisation treatment studies (2012)Production and validation of …Development of conservation procedures for late Edo period Japanese ceremonial dolls’ hair: Evaluation of effective treating reagents by using artificially degraded black-dyed silk fibres (2010)Development of conservation p…Consolidation Treatment of Japanese Ceremonial Doll's Hair at Edo Period with Polyethylene Glycol (2010)Consolidation Treatment of Ja…The Colourful Past - Origins, Chemistry and Identification of Natural Dyestuffs (2005)The Colourful Past - Origins,…Stabilisation of Paper Containing Iron-Gall Ink with Current Aqueous Processes (2005)Stabilisation of Paper Contai…Factors affecting the deterioration of the cellulosic fibres in black-dyed New Zealand flax ( phormium tenax ) (1999)Factors affecting the deterio…Accelerated Aging: Photochemical and Thermal Aspects (1996)Accelerated Aging: Photochemi…Principles of Experimental Design for Art Conservation Research (1992)Principles of Experimental De…Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness (2024)Physico‐chemical characterisa…Analysis of Paper (1972)Preservation of Paper and Textiles of Historic and Artistic Value (1978)Phytate: a Potential Conservation Agent for the Treatment of Ink Corrosion Caused by Irongall Inks (1995)NMR spectroscopy and micro-analytical techniques for studying the constitutive materials and the state of conservation of an ancient Tapa barkcloth from Polynesia, is. Wallis (2020)Chemical Principles of Textile Conservation (2000)Chemical Principles of Textile Conservation (2012)Field-Emission Scanning Electron Microscopy and Energy-Dispersive X-Ray Analysis to Understand the Role of Tannin-Based Dyes in the Degradation of Historical Wool Textiles (2014)Analysis of natural dyes and metal threads used in 16th -18th century Persian/Safavid and Indian/Mughal velvets by HPLC-PDA and SEM-EDS to investigate the system to differentiate velvets of these two cultures (2015)DEVELOPMENT OF THE EGO (1926) (2020)A multi-scalar investigation of the colouring materials used in textile wrappings of Egyptian votive animal mummies (2021)FT Raman microscopy of untreated natural plant fibres (1997)Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Identification of Cellulosic Fibres by FTIR Spectroscopy - Thread and Single Fibre Analysis by Attenuated Total Reflectance (2003)Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness (2020)The mathematical expression of damage law of museum lighting on dyed artworks (2021)Cellulose Nitrate in Conservation (1988)The Organic Chemistry of Museum Objects (1988)Evaluation of cellulose ethers for conservation (1990)Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy (2013)Environmentally induced colour change during natural degradation of selected polymers (2013)Practical notes on ultraviolet technical photography for art examination (2015)The natural constituents of historical textile dyes (2004)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Experimental and Quasi-Experimental Designs for Research (1963)Design and Analysis: A Researcher's Handbook (1975)Summing up: The Science of Reviewing Research (1987)The Effect of Insect Fumigation by Anoxia on Textiles Dyed with Prussian Blue (2004)Iron gall ink-induced corrosion of cellulose: aging, degradation and stabilization. Part 2: application on historic sample material (2008)Evaluating paper degradation progress. Cross-linking between chromatographic, spectroscopic and chemical results (2010)Alkaline Earth Hydroxide Nanoparticles for the Inhibition of Metal Gall Ink Corrosion (2011)Transglutaminase-mediated restoration of historic silk and its ageing resistance (2013)The right mud: Studies in the mud-coating technique of Gambiered Guangdong silk (2016)Colour fading in textiles: A model study on the decomposition of natural dyes (2006)Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry (2008)An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)Towards the identification of dyestuffs in Early Iron Age Scandinavian peat bog textiles (2009)Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS) (2019)
this work references cited by second hop

References

  • 2005The Colourful Past - Origins, Chemistry and Identification of Natural Dyestuffs168 cited
  • 1996Accelerated Aging: Photochemical and Thermal Aspects128 cited
  • 2023Dyes in History and Archaeology 41127 cited
  • 2005Stabilisation of Paper Containing Iron-Gall Ink with Current Aqueous Processes39 cited
  • 2012Production and validation of model iron-tannate dyed textiles for use as historic textile substitutes in stabilisation treatment studies36 cited
  • 1999Factors affecting the deterioration of the cellulosic fibres in black-dyed New Zealand flax ( phormium tenax )26 cited
  • 2016Light-ageing characteristics of Māori textiles: Colour, strength and molecular change18 cited
  • 2010Development of conservation procedures for late Edo period Japanese ceremonial dolls’ hair: Evaluation of effective treating reagents by using artificially degraded black-dyed silk fibres7 cited
  • 1992Principles of Experimental Design for Art Conservation Research7 cited
  • 2010Consolidation Treatment of Japanese Ceremonial Doll's Hair at Edo Period with Polyethylene Glycol6 cited
  • 2013Investigation into non-aqueous remedial conservation treatments for iron-tannate dyed organic materials3 cited

Cited by

  • 2024Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness9 cited

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