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Diálogos luso-brasileiros no Acervo José Moças da Universidade de Aveiro: um estudo exploratório das gravações mecânicas (1902-1927)
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Diálogos luso-brasileiros no Acervo José Moças da Universidade de Aveiro: um estudo exploratório das gravações mecânicas (1902-1927) (2016)Diálogos luso-brasileiros no Acervo José …Ethnomusicology and the Music Industries: An Overview (2010)Ethnomusicology and the Music…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…A Spiral Way: How the Phonograph Changed Ethnography (2000)A Spiral Way: How the Phonogr…The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)The Aesthetics of the Global …The record industry: the growth of a mass medium (1983)The record industry: the grow…Handbook of Theory and Research for the Sociology of Education. (1987)The Forms of Capital (2002)The Audible Past (2003)Music Production as a Tool of Research, and Impact (2011)Taking Xhosa Music out of the Fridge and into the Townships (2012)Popular Music as Local Culture: An Ethnographic Study of the AlbumMatha Wa!by the Band Paramana Strangers from Papua New Guinea (2013)Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (1987)2. Old And New Identities, Old And New Ethnicities (1991)Riffs, Repetition, and Theories of Globalization (1999)World music: deterritorializing place and identity (2004)Transidiomatic practices: Language and power in the age of globalization (2005)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Record Industry Comes to the Orient (1981)The cultural economy: geography and the creative field (1999)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)Co-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997 (2001)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Doing anthropology in sound (2004)Tape: Or, Rewinding the Phonographic Regime (2017)
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References

  • 2005Capturing sound: how technology has changed music830 cited
  • 2000A Spiral Way: How the Phonograph Changed Ethnography218 cited
  • 1996The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s205 cited
  • 1983The record industry: the growth of a mass medium117 cited
  • 2010Ethnomusicology and the Music Industries: An Overview31 cited

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