Reframing Pictures: Reading the Art of Appropriation

Liz Linden

5 citations0/0 files storedArt Journal

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Art, Politics, and Modernism Photographic and Visual Arts Visual Culture and Art Theory

Abstract

In 1977, Douglas Crimp, a young art historian, critic, editor, and curator, organized a “modest group show” titled Pictures at Artists Space in New York City.11 Douglas Crimp, Diss-Co (a Fragment) ...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 5 citations exist upstream.

References

2011Relational aesthetics 1985Recodings: Art, Spectacle, Cultural Politics 1992Beyond Recognition: Representation, Power, and Culture 1980The Allegorical Impulse: Toward a Theory of Postmodernism Part 2 1997Art of the postmodern era: from the late 1960s to the early 1990s 1980Poststructuralism and the "Paraliterary"2018The Photographic Activity of Postmodernism (1980)

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.