SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Les musiciens gnawa à Bruxelles : une reconfiguration culturelle
8 references·1 citing·31 second hop
Les musiciens gnawa à Bruxelles : une reconfiguration culturelle (2016)Les musiciens gnawa à Bruxelles : une rec…Music of the Gnawa of Morocco : evolving spaces and times (2012)Music of the Gnawa of Morocco…Globalization and the Politics of World Music (2012)Globalization and the Politic…Hunters, Sufis, soldiers, and minstrels: The diaspora aesthetics of the Moroccan Gnawa (2011)Hunters, Sufis, soldiers, and…The Festive Sacred and the Fetish of Trance (2008)The Festive Sacred and the Fe…Musical Performance in the Diaspora: Introduction (2007)Musical Performance in the Di…Ouvrir le poing: Écoute, parcours initiatique et possession (Maroc, Mayotte) (2006)Ouvrir le poing: Écoute, parc…Diaspora : un enjeu politique, un symbole, un concept ? (2006)Diaspora : un enjeu politique…Moroccan Female Performers Defining the Social Body (1994)Moroccan Female Performers De…Parcours professionnels de musiciennes migrantes, de la théorie à l’expérience. À propos du colloque Femmes musiciennes du monde tenu les 26 et 27 novembre 2021 au Centre des musiciens du monde (Montréal) (2022)Parcours professionnels de mu…Belief, Language and Experience (1972)Diasporas (1994)From Immigrant to Transmigrant: Theorizing Transnational Migration (1995)The Local and the Global: The Anthropology of Globalization and Transnationalism (1995)Imaginaires, pratiques et politiques du revenir (2010)La diaspora ou l’ethnique en mouvement (2012)Friction: An Ethnography of Global Connection (2004)Imaginative horizons: an essay in literary-philosophical anthropology (2004)Fear of Small Numbers: An Essay on the Geography of Anger (2007)'There ain't no black in the Union Jack' : the cultural politics of race and nation (1987)Ethnicity and Nationalism: Anthropological Perspectives (1994)Representation: Cultural representations and signifying practices. (1997)The role of music in ethnic identity formation in diaspora: a research review (2016)‘The house of the Irish’: African migrant musicians and the creation of diasporic space at night (2021)Music and Citizenship (2023)The Predicament of Culture (1988)Ritual Theory, Ritual Practice (1993)The Interpretation of Cultures (2017)Rituel de laïlat Gnawi, entre le patent et le latent (2024)The Ritual Process: Structure and Anti-Structure (1976)In A Different Voice: Psychological Theory And Women's Development (1982)Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman's Verbal Art from the Perspective of Gendered Subjectivity as Performance (2002)Migration und religiöse Dynamik (2008)Exotic Identities: Dance, Difference, and Self-fashioning (2011)Domination and the Arts of Resistance (2017)Cultural entrepreneurialism: on the changing relationship between the arts, culture and employment1 (2003)Brand Culture and Branded Workers: Service Work and Aesthetic Labour in Fashion Retail (2004)Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics (2018)Listening to Istanbul: Imagining Place in Turkish Rap Music (2005)Towards straight talking: Multiple narratives in multi-cultural and multi-disciplinary work (or, I shot the dog, then I shot my mother) (2005)Qawwali Routes: Notes on a Sufi Music’s Transformation in Diaspora (2020)
this work references cited by second hop

References

  • 2007Musical Performance in the Diaspora: Introduction92 cited
  • 1994Moroccan Female Performers Defining the Social Body71 cited
  • 2006Diaspora : un enjeu politique, un symbole, un concept ?33 cited
  • 2012Globalization and the Politics of World Music29 cited
  • 2011Hunters, Sufis, soldiers, and minstrels: The diaspora aesthetics of the Moroccan Gnawa14 cited
  • 2006Ouvrir le poing: Écoute, parcours initiatique et possession (Maroc, Mayotte)12 cited
  • 2008The Festive Sacred and the Fetish of Trance11 cited
  • 2012Music of the Gnawa of Morocco : evolving spaces and times9 cited

Cited by

  • 2022Parcours professionnels de musiciennes migrantes, de la théorie à l’expérience. À propos du colloque Femmes musiciennes du monde tenu les 26 et 27 novembre 2021 au Centre des musiciens du monde (Montréal)4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work