SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sevdah Celebrities Narrate Sevdalinka. Political (Self-)Contextualization of Sevdalinka Performers in Bosnia-Herzegovina
9 references·1 citing·31 second hop
Sevdah Celebrities Narrate Sevdalinka. Political (Self-)Contextualization of Sevdalinka Performers in Bosnia-Herzegovina (2016)Sevdah Celebrities Narrate Sevdalinka. Po…Fields, Genres, Brands (2014)Fields, Genres, Brands1908: The Beginning of Slovenian Music Discography (2014)1908: The Beginning of Sloven…Newly Composed Folk Music of Yugoslavia (2013)Newly Composed Folk Music of …A Short History of Celebrity (2011)A Short History of Celebrity“Oh, Those Turks!” Music, Politics, and Interculturality in the Balkans and Beyond (2007)“Oh, Those Turks!” Music, Pol…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Performing Rites (1996)Performing RitesThe image : a guide to pseudo-events in America (1992)The image : a guide to pseudo…Making Music as Home-Making: (2019)Making Music as Home-Making:The condition of postmodernity: an enquiry into the origins of cultural change (1990)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)The Field of Cultural Production (1994)Digital Technology and Cultural Practice (2019)Genre, Ethnoracial Alterity, and the Genesis of jazz manouche (2019)The Political Economy of Streaming (2019)Echoes from Dharamsala: music in the life of a Tibetan refugee community (2002)Echoes from DharamsalaMusic in the Life of a Tibetan Refugee Community (2002)Music and displacement: Diasporas, mobilities and dislocations in Europe and beyond (2010)Tourist motivation an appraisal (1981)Exploring the essence of memorable tourism experiences (2011)To See and Be Seen: Celebrity Practice on Twitter (2011)Fame Attack (2012)“I Want to Be Alone”: Ascetic Celebrity and the Splendid Isolation of Simeon Stylites (2020)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Slovenian Recordings on 78 RPM Records (2014)Gramophone Serving Sacred Music? (2015)Sevdalinka i Zagreb do kraja 1950-ih (2019)Pop Song as Custom: Weddings, Ethnicity, and Entrepreneurs in West Sumatra (2011)Lepa Brena: Repolitization of musical memories on Yugoslavia (2012)Turbo-Folk as the Agent of Empire: On Discourses of Identity and Difference in Popular Culture (2014)Bulgaria or Chalgaria: The Attenuation of Bulgarian Nationalism in a Mass-Mediated Popular Music (2002)The Politics of Performance: Transnationalism and its Limits in Former Yugoslav Popular Music, 1999–2004 (2006)Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)
this work references cited by second hop

References

  • 1992The image : a guide to pseudo-events in America2,821 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1996Performing Rites1,123 cited
  • 2011A Short History of Celebrity48 cited
  • 2014Fields, Genres, Brands44 cited
  • 2013Newly Composed Folk Music of Yugoslavia43 cited
  • 20141908: The Beginning of Slovenian Music Discography13 cited
  • 2007“Oh, Those Turks!” Music, Politics, and Interculturality in the Balkans and Beyond13 cited

Cited by

  • 2019Making Music as Home-Making:5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work