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Composing for Sound: Sonic Rhetoric as Resonance · Study

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ArticleComposing for Sound: Sonic Rhetoric as Resonance

Mary E. Hocks2017

Article2017

Composing for Sound: Sonic Rhetoric as Resonance

Mary E. Hocks · Michelle Comstock

58 citations·0/0 files stored·Computers & composition/Computers and composition

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Sound Studies and Aurality Literacy, Media, and Education Rhetoric and Communication Studies

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References

2003The Audible Past 2003The audible past: cultural origins of sound reproduction 2010Sonic warfare: sound, affect, and the ecology of fear 2006Describing one’s subjective experience in the second person: An interview method for the science of consciousness 1983The Tuning of the World 2004Made Not Only in Words: Composition in a New Key 2010Listening to Noise and Silence: Towards a Philosophy of Sound Art 2009The Future of Literacy Studies

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2022Rhetorical New Materialisms (RNM)

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Year2017

Typearticle

Published2017-01-27

VenueComputers & composition/Computers and composition

ISSN-L1873-2011

Languageen

Citations58

Files0 public / 0

ShelfSound Studies and Aurality

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doi10.1016/j.compcom.2016.11.006

openalex_workW2583028818

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