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Frank O'Hara's Virtuosity
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Frank O'Hara's Virtuosity (2017)Frank O'Hara's VirtuosityThe Cambridge history of musical performance (2013)The Cambridge history of musi…The Battle Against Instrumental Virtuosity in the Early Nineteenth Century (2010)The Battle Against Instrument…Franz Liszt and His World (2010)Franz Liszt and His WorldAprès une Lecture de Liszt:Virtuosity andWerktreuein the “Dante” Sonata (2008)Après une Lecture de Liszt:Vi…Frank O'Hara: the poetics of coterie (2007)Frank O'Hara: the poetics of …Virtuosity of the Nineteenth Century: Performing Music and Language in Heine, Liszt, and Baudelaire (2001)Virtuosity of the Nineteenth …Musical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…Musical Meaning (2001)Musical MeaningPiano roles: three hundred years of life with the piano (2000)Piano roles: three hundred ye…The piano since c.1825 (1998)The piano since c.1825The Cambridge Companion to the Piano (1998)The Cambridge Companion to th…The Romantic Generation (1995)The Romantic GenerationFrank O'Hara : to be true to a city (1990)Frank O'Hara : to be true to …The odes of John Keats (1983)The odes of John KeatsAlone With America: Essays on the Art of Poetry in the United States Since 1950. (1969)Alone With America: Essays on…Selected Poems and Letters (1958)Selected Poems and LettersThe Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Form, Program, and Metaphor in the Music of Berlioz (2009)A Cultural History of the Irish Novel, 1790–1829 (2011)The Ambivalence of Generosity: Keats Reading Shakespeare (1995)The invention of evening: perception and time in Romantic poetry (2007)Onomatopoeia, Interiority, and Incorporation (2018)Canons, Augmentations, and Their Meaning in Two Works by Steve Reich (2011)The Intrinsic Value of Musical Experience. A Rethinking: Why and How? (2014)What is Musical Meaning? Theorizing Music as Performative Utterance (2019)“A New Unfolding of Life”: Romanticism in the Late Novels of George Eliot (1998)Inhabited Time: Couperin’ Passacaille (2006)Kafka's Reality and Nabokov's Fantasy. on Dwarves, Saints, Beetles, Symbolism, and Genius (2007)John Field and the Alternative History of Concerto First-Movement Form (2011)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Performing Civility (2015)The Cambridge Companion to Opera Studies (2012)Action and Agency Revisited (2013)Enacting Musical Time (2019)Virtuosity and the Musical Work: The Transcendental Studies of Liszt (2003)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Emily Dickinson (2014)Multilingualism in Contemporary American Poetry (2014)Having a Coke with You Is Even More Fun Than Ideology Critique (2019)Historical perspectives in music sociology (2004)Music of the First Nations: tradition and innovation in Native North America (2009)The Black Pacific: Music and Racialization in Papua New Guinea and Australia (2014)
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References

  • 2001Musical MeaningToward a Critical History281 cited
  • 1995The Romantic Generation222 cited
  • 2007Frank O'Hara: the poetics of coterie183 cited
  • 2000Piano roles: three hundred years of life with the piano132 cited
  • 1983The odes of John Keats116 cited
  • 1998The Cambridge Companion to the Piano93 cited
  • 1958Selected Poems and Letters79 cited
  • 1969Alone With America: Essays on the Art of Poetry in the United States Since 1950.74 cited
  • 2010Franz Liszt and His World69 cited
  • 2001Musical Meaning63 cited
  • 2008Après une Lecture de Liszt:Virtuosity andWerktreuein the “Dante” Sonata52 cited
  • 2010The Battle Against Instrumental Virtuosity in the Early Nineteenth Century38 cited
  • 1998The piano since c.182537 cited
  • 2001Virtuosity of the Nineteenth Century: Performing Music and Language in Heine, Liszt, and Baudelaire34 cited
  • 1990Frank O'Hara : to be true to a city31 cited
  • 2013The Cambridge history of musical performance28 cited

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