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Whitewashing Yellow Futures in Ex Machina, Cloud Atlas, and Advantageous: Gender, Labor, and Technology in Sci-fi Film
16 references·2 citing·29 second hop
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this work references cited by second hop

References

  • 2012The Uncanny Valley [From the Field]3,525 cited
  • 2002Servants of Globalization: Women, Migration, and Domestic Work2,535 cited
  • 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
  • 2002Spaces of Identity1,034 cited
  • 2008Digitizing race: visual cultures of the Internet780 cited
  • 20063 DISPOSABLE DOMESTICS: IMMIGRANT WOMEN WORKERS IN THE GLOBAL ECONOMY518 cited
  • 1994Romance and the "yellow peril": race, sex, and discursive strategies in Hollywood fiction478 cited
  • 1999Orientals: Asian Americans in popular culture446 cited
  • 2004Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order415 cited
  • 2010Migrants for Export: How the Philippine State Brokers Labor to the World405 cited
  • 2015Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media209 cited
  • 2003National abjection: the Asian American body onstage184 cited
  • 1994Marginal sights: staging the Chinese in America145 cited
  • 2002Compositional subjects: enfiguring Asian/American women140 cited
  • 2011Yellow future: oriental style in Hollywood cinema139 cited

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  • 1995Privileging positions : the sites of Asian American studies136 cited
  • Cited by

    • 2022Identities and Intimacies on Social Media18 cited
    • 2018Race and stardom in Ghost in the Shell5 cited