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Le goût mamelouk au xixe siècle : d’une esthétique orientaliste à un style national générique
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References

  • 2002Who Paid the Piper?: The CIA and the Cultural Cold War584 cited
  • 1986Natural energy and vernacular architecture : principles and examples with reference to hot arid climates295 cited
  • 1989Ephemeral vistas: the expositions universelles, great exhibitions, and world's fairs, 1851-1939295 cited
  • 1973The Female Animal: Medical and Biological Views of Woman and Her Role in Nineteenth-Century America280 cited
  • 2000Foreign relations of the United States280 cited
  • 2012The Context, Performance and Meaning of Ritual: The British Monarchy and the ‘Invention of Tradition’, c. 1820–1977244 cited
  • 1985How New York Stole the Idea of Modern Art216 cited
  • 1986All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916.190 cited
  • 1993Displaying the Orient: Architecture of Islam at Nineteenth-Century World's Fairs.163 cited
  • 2008Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity135 cited
  • 1986Fashion and Eroticism: Ideals of Feminine Beauty from the Victorian Era to the Jazz Age102 cited
  • 2006Art History: A Critical Introduction to Its Methods92 cited
  • 2006L'invention de la tradition83 cited
  • 1983The Critical Historians of Art79 cited
  • 2014

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From shame to sin: the Christian transformation of sexual morality in late antiquity
73 cited
  • 1990Ethnography and Exhibitionism at the Expositions Universelles73 cited
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