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Towards a Theory and Ethics for the Conservation of Contemporary Art
0 references·4 citing·13 second hop
Towards a Theory and Ethics for the Conservation of Contemporary Art (2009)Towards a Theory and Ethics for the Conse…Embracing Humanness in Cultural Materials Conservation: A Roundtable Discussion with Conservation Professionals on Ethics, Values and the Future (2023)Embracing Humanness in Cultur…The Evolution of Authenticity and the Integration of Philosophical Tools for its Determination (2022)The Evolution of Authenticity…Physical object or variable, flexible, ephemeral and reproducible: the management and care of contemporary art collections in 2020 (2020)Physical object or variable, …HARMING WORKS OF ART The challenges of contemporary conceptions of the artwork (2010)HARMING WORKS OF ART The chal…Preserving what is valued: museums, conservation, and First Nations (2002)Conservation : principles, dilemmas and uncomfortable truths (2011)The artist interview: for conservation and presentation of contemporary art: guidelines and practice (2012)Tracking the Invisible: Collection Management and Conservation of Time-Based Art at Qagoma (2021)Social Theory and Social Structure (1958)The Sociological Imagination (1959)The Restoration of the Self (2009)Difference and repetition (1994)The Work of Art in the Age of Mechanical Reproduction (2001)Crafting authenticity: An ethnography of conservation practice (2013)Sources of the self: the making of the modern identity (1990)Using thematic analysis in psychology (2006)Staying with the Trouble (2016)
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  • 2023Embracing Humanness in Cultural Materials Conservation: A Roundtable Discussion with Conservation Professionals on Ethics, Values and the Future3 cited
  • 2020Physical object or variable, flexible, ephemeral and reproducible: the management and care of contemporary art collections in 20203 cited
  • 2022The Evolution of Authenticity and the Integration of Philosophical Tools for its Determination2 cited
  • 2010HARMING WORKS OF ART The challenges of contemporary conceptions of the artwork1 cited

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