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Disruptive divas: feminism, identity, and popular music
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  • 2011Authorship and the Popular Song38 cited
  • 2004Sisterdjsin the House: Electronic/Dance Music and Women-Centered Spaces on the Net38 cited
  • 2007Narrative inquiry as a way of knowing in music education32 cited
  • 2009The Diva storyline: an alternative social construction of female entrepreneurship26 cited
  • 2013Women singers in global contexts: music, biography, identity19 cited
  • 2010Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 814 cited
  • 2012Jazzwomen: music, sound, gender, and sexuality10 cited
  • 2013Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America6 cited
  • 2013The World Has Made Me the Man of My Dreams: Meshell Ndegeocello and the ‘problem’ of Black female masculinity5 cited
  • 2013Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings5 cited
  • 2004Spin-sters5 cited
  • 2009Visible Difference, Audible Difference: Female Singers and Gay Male Fans in Russian Popular Music4 cited
  • 2012After Relativism: Recent Directions in the High Analysis of Low Music3 cited
  • 2017PJ Harvey and remembering England3 cited

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  • 2014Sometimes a Microphone is Just a Microphone: Karaoke and the Performance of Gender2 cited
  • 2013Diva Rivalry for Fun and Profit: An Examination of Diva [Mis-]Conceptions via the Rivalry of Maria Callas and Renata Tebaldi2 cited