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“Man Talking to Man” Calypso and Social Confrontation in Trinidad 1970 to 1984
0 references·4 citing·15 second hop
“Man Talking to Man” Calypso and Social Confrontation in Trinidad 1970 to 1984 (1985)“Man Talking to Man” Calypso and Social C…Calypso and the Performance of Representational Politics (2012)Calypso and the Performance o…“Roll It Gal” (2008)“Roll It Gal”“Roll It Gal”: Alison Hinds, Female Empowerment, and Calypso (2007)“Roll It Gal”: Alison Hinds, …Wit and popular music: the calypso and the blues (1996)Wit and popular music: the ca…Colonial Discourse and Post-Colonial Theory: A Reader (1995)Caribbean currents: Caribbean music from rumba to reggae (1996)West Indian Intellectuals in Britain (2003)Sister Outsider: Essays and Speeches (1984)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Black looks: race and representation (1992)YouTube Comments as Metalanguage Data on Non-standardized Languages: The Case of Trinidadian Creole English in Soca Music (2017)In Plenty and in Time of Need: Popular Culture and the Remapping of Barbadian Identity (2019)THE ACT OF CREATION (1967)Domination and the Arts of Resistance (2007)Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups (2012)Jokes and their Relation to the Unconscious 1905 (2024)Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature (1985)Modern Blackness (2004)Pedagogies of Crossing (2005)
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Cited by

  • 2012Calypso and the Performance of Representational Politics18 cited
  • 2008“Roll It Gal”13 cited
  • 2007“Roll It Gal”: Alison Hinds, Female Empowerment, and Calypso9 cited
  • 1996Wit and popular music: the calypso and the blues5 cited

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