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Centonate Chant: Centonate or Centonate
6 references·8 citing·35 second hop
Centonate Chant: Centonate or Centonate (1975)Centonate Chant: Centonate or CentonateHOMER AND GREGORY: THE TRANSMISSION OF EPIC POETRY AND PLAINCHANT (1974)HOMER AND GREGORY: THE TRANSM…The Early Trope Repertory of Saint Martial de Limoges (1970)The Early Trope Repertory of …The Structure of Scientific Revolutions (1963)The Structure of Scientific R…Patterns of Discovery (1959)Patterns of DiscoveryBericht uber den internationalen musikwissenschaftlichen Kongress Hamburg, 1956 (1958)Bericht uber den internationa…Dictionnaire d'archéologie chrétienne et de liturgie (1907)Dictionnaire d'archéologie ch…Genome of melody: applying bioinformatics to study the evolution of Gregorian chant (2025)Genome of melody: applying bi…Performative Images and Cosmic Sound in the Exultet Liturgy of Southern Italy (2020)Performative Images and Cosmi…Origins and Transmission of Franco-Roman Chant (2018)Origins and Transmission of F…Approaching the Communion Melodies (2000)Approaching the Communion Mel…Oral and written transmission in Ethiopian Christian chant (1993)Oral and written transmission…On Gregorian Orality (1990)On Gregorian OralityThe Parameters of Musical Transmission (1985)The Parameters of Musical Tra…Formulaic Openings in Debussy (1984)Formulaic Openings in DebussyThe New Grove Dictionary of Music and Musicians (1981)Die Musik in Geschichte und Gegenwart (1989)Abbot Helisachar's Antiphoner (1995)Music and writing: On the compilation of Paris Bibliothèque Nationale lat. 1154 (1997)The New Grove dictionary of music and musicians (2001)Between Romanticism and Modernism (1980)The New Grove Dictionary of Music and Musicians (1982)The Sacred and The Profane: The Nature of Religion (1987)Debussy's Trois Chansons de Bilitis: Song, Opera, and the Death of the Subject (1994)Traversing distances: Pitch organization, gesture and imagery in the late works of T l ru Takemitsu (2002)Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett (2023)Orality and Literacy (1982)The Interface between the Written and the Oral (1989)Orality and Literacy (2003)Inscriptiones Latinae Christianae veteres (1925)Le Liber pontificalis : texte, introduction et commentaire (1955)The liturgy of the hours in East and West : the origins of the divine office and its meaning for today (1993)Sexism and the celestial gynaeceum — from 500 to 1200 (1978)The Roman Catacombs in the Middle Ages (1985)Performing Family: Ritual Kissing and the Construction of Early Christian Kinship (2002)Reading and singing: on the genesis of occidental music-writing (1984)Improvisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music (2003)Writing Sounds in Carolingian Europe (2018)Peripheral Polyphony of the 13th Century (1964)"Aber eben dieser Zweifel": A New Look at Mendelssohn's "Italian" Symphony (1992)Confrérie, Bruderschaft and guild: the formation of musicians' fraternal organisations in thirteenth- and fourteenth-century Europe (1995)On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources (1980)On the Nature of Transmission and Change in Trope Repertories (1988)Scribal Practices in the Aquitanian Versaria of the Twelfth Century: Towards a Typology of Error and Variant (1992)The social constructionist movement in modern psychology. (1985)An advocacy coalition framework of policy change and the role of policy-oriented learning therein (1988)Establishing the norms of scientific argumentation in classrooms (2000)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Competing paradigms in qualitative research. (1994)Sample Size in Qualitative Interview Studies (2015)
this work references cited by second hop

References

  • 1963The Structure of Scientific Revolutions35,276 cited
  • 1959Patterns of Discovery1,848 cited
  • 1974HOMER AND GREGORY: THE TRANSMISSION OF EPIC POETRY AND PLAINCHANT133 cited
  • 1907Dictionnaire d'archéologie chrétienne et de liturgie116 cited
  • 1958Bericht uber den internationalen musikwissenschaftlichen Kongress Hamburg, 195665 cited
  • 1970The Early Trope Repertory of Saint Martial de Limoges20 cited

Cited by

  • 1990On Gregorian Orality17 cited
  • 2018Origins and Transmission of Franco-Roman Chant14 cited
  • 1984Formulaic Openings in Debussy13 cited
  • 1993Oral and written transmission in Ethiopian Christian chant11 cited
  • 1985The Parameters of Musical Transmission10 cited
  • 2020Performative Images and Cosmic Sound in the Exultet Liturgy of Southern Italy5 cited
  • 2000Approaching the Communion Melodies4 cited
  • 2025Genome of melody: applying bioinformatics to study the evolution of Gregorian chant3 cited

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