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#Wheresrey?: Toys, spoilers, and the gender politics of franchise paratexts
6 references·9 citing·36 second hop
#Wheresrey?: Toys, spoilers, and the gender politics of franchise paratexts (2017)#Wheresrey?: Toys, spoilers, and the gend…Cult Collectors (2014)Cult CollectorsAuthentic™: The Politics of Ambivalence in a Brand Culture (2012)Authentic™: The Politics of A…Show sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…Using the force: creativity, community and Star Wars fans (2002)Using the force: creativity, …Gérard Genette Paratexts (1997)Gérard Genette ParatextsBond and Beyond (1987)Bond and BeyondDeveloping Affective Brands: Paratextualization in the Entertainment Industry (2023)Developing Affective Brands: …Sartorial Fandom (2022)Sartorial FandomThe Labor of Curating: Fandom, Museums, and the Value of Fan Heritage (2021)The Labor of Curating: Fandom…Making and remaking the Galaxy Far, Far Away (2021)Making and remaking the Galax…Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian (2021)Franchising the Past: Transme…Girls being Rey: ethical cultural consumption, families and popular feminism (2019)Girls being Rey: ethical cult…Star Wars: The Last Jedi, Beauty and the Beast, and Disney’s Commodification of Feminism: A Political Economic Analysis (2018)Star Wars: The Last Jedi, Bea…Star Wars and the History of Transmedia Storytelling (2018)Star Wars and the History of …“Hear the World’s Sounds”: Locality as Metadata in Two Music-Streaming Services (2017)“Hear the World’s Sounds”: Lo…Course in General Linguistics (1960)Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Patterns of listening through social media: online fan engagement with the live music experience (2012)The Influence of Paratext on Narrative Persuasion: Fact, Fiction, or Fake? (2012)Paratext and Digitized Narrative: Mapping the Field (2013)Visual Pleasure and Narrative Cinema (1975)A Brief History of Neoliberalism (2005)Postfeminist media culture (2007)The Aftermath of Feminism: Gender, Culture and Social Change (2008)Successful Qualitative Research: A practical guide for beginners (2014)Fan Cultures (2003)Film-Induced Tourism (2005)Digital labor: the internet as playground and factory (2013)Behind the words: a quantitative analysis of museums’ tweets (2024)Homo Ludens: A Study of the Play-Element in Culture. (1951)The Order of Things: An Archaeology of the Human Sciences. (1971)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Transmedya Uygulamalarında Yayılma Kanalları: Küresel Örnekler Üzerine Bir İnceleme (2019)Heritage Storytelling (2020)Tweeting about mental health to honor Carrie Fisher: How #InHonorOfCarrie reinforced the social influence of celebrity advocacy (2020)(Re)Writing Mary Sue: Écriture Féminine and the Performance of Subjectivity (2011)Doing radio, making friends, and having fun: Exploring the motivations of independent audio podcasters (2011)Creative Crowds. Perspektiven der Fanforschung im deutschsprachigen Raum (2014)New Audiences, New Textualities (2003)Transmedial Storytelling and Transfictionality (2013)Exemplary Ethics in Ancient Rome (2018)The rhetorical limits of polysemy (1989)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)TOP GIRLS? (2007)“Having it All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers (2015)Post-postfeminism?: new feminist visibilities in postfeminist times (2016)Self-branding, ‘micro-celebrity’ and the rise of Social Media Influencers (2016)Board, game, and media (2014)Crowdfunding: A Spimatic application of digital fandom (2014)Fandom’s paratextual memory: remembering, reconstructing, and repatriating “lost” Doctor Who (2017)
this work references cited by second hop

References

  • 1997Gérard Genette Paratexts1,954 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 2012Authentic™: The Politics of Ambivalence in a Brand Culture697 cited
  • 1987Bond and Beyond285 cited
  • 2014Cult Collectors146 cited
  • 2002Using the force: creativity, community and Star Wars fans109 cited

Cited by

  • 2018Star Wars and the History of Transmedia Storytelling22 cited
  • 2019Girls being Rey: ethical cultural consumption, families and popular feminism21 cited
  • 2018Star Wars: The Last Jedi, Beauty and the Beast, and Disney’s Commodification of Feminism: A Political Economic Analysis14 cited
  • 2021The Labor of Curating: Fandom, Museums, and the Value of Fan Heritage6 cited
  • 2022Sartorial Fandom5 cited
  • 2023Developing Affective Brands: Paratextualization in the Entertainment Industry3 cited
  • 2017“Hear the World’s Sounds”: Locality as Metadata in Two Music-Streaming Services3 cited
  • 2021Making and remaking the Galaxy Far, Far Away2 cited
  • 2021Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian1 cited

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