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Revealing the Origin and History of Lead-White Pigments by Their Photoluminescence Properties
8 references·16 citing·47 second hop
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this work references cited by second hop

References

  • 2011Laser spectroscopies for elemental and molecular analysis in art and archaeology129 cited
  • 1967Original treatises on the arts of painting115 cited
  • 1996Laser-Induced Fluorescence in Artwork Diagnostics: An Application in Pigment Analysis113 cited
  • 2007Classification of lead white pigments using synchrotron radiation micro X-ray diffraction88 cited
  • 2006Analysis of protein-based binding media found in paintings using laser induced fluorescence spectroscopy82 cited
  • 2014Time-Resolved Photoluminescence Spectroscopy and Imaging: New Approaches to the Analysis of Cultural Heritage and Its Degradation78 cited
  • 2011Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples64 cited
  • 2015Composition and microstructure of the lead white pigment in Masters paintings using HR Synchrotron XRD58 cited

Cited by

  • 2018Absolute dating of lead carbonates in ancient cosmetics by radiocarbon44 cited
  • 2019Beauty is skin deep: the skin tones of Vermeer’s Girl with a Pearl Earring42 cited
  • 2022Neural network-based classification of X-ray fluorescence spectra of artists’ pigments: an approach leveraging a synthetic dataset created using the fundamental parameters method35 cited
  • 2018New insights into the complex photoluminescence behaviour of titanium white pigments30 cited
  • 2022Identification and mapping of ancient pigments in a Roman Egyptian funerary portrait by application of reflectance and luminescence imaging spectroscopy

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29 cited
  • 2021The chemistry of making color in art27 cited
  • 2021Novel markers to early detect degradation on cellulose nitrate-based heritage at the submicrometer level using synchrotron UV–VIS multispectral luminescence26 cited
  • 2019Combined photoluminescence and Raman microscopy for the identification of modern pigments: explanatory examples on cross-sections from Russian avant-garde paintings26 cited
  • 2017Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers23 cited
  • 2018Re-interpretation of the Old Masters' practices through optical and rheological investigation: The presence of calcite23 cited
  • 2019Synchrotron Deep-UV Photoluminescence Imaging for the Submicrometer Analysis of Chemically Altered Zinc White Oil Paints20 cited
  • 2023X-ray and Infrared Microanalyses of Mona Lisa’s Ground Layer and Significance Regarding Leonardo da Vinci’s Palette19 cited
  • 2020Unexpected presence of 14C in inorganic pigment for an absolute dating of paintings19 cited
  • 2022New Opportunities Offered by the ESRF to the Cultural and Natural Heritage Communities18 cited
  • 2020Temperature sensing during Raman spectroscopy of lead white films in different purity grades and boundary conditions18 cited
  • 2020Photoluminescence imaging of modern paintings: there is plenty of information at the microsecond timescale18 cited