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Still Moving: The Revelation or Representation of Dance in Still Photography
10 references·2 citing·28 second hop
Still Moving: The Revelation or Representation of Dance in Still Photography (2004)Still Moving: The Revelation or Represent…Subsequent Performances (2016)Subsequent PerformancesCamera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Transforming images: how photography complicates the picture (2000)Transforming images: how phot…Securing Our Dance Heritage: Issues in the Documentation and Preservation of Dance (1999)Securing Our Dance Heritage: …Visions of modernity: representation, memory, time and space in the age of the camera (1998)Visions of modernity: represe…Beauty of another order: photography in science (1998)Beauty of another order: phot…Photography and its critics: a cultural history, 1839-1900 (1997)Photography and its critics: …Beauty of Another Order: Photography in Science (1997)Beauty of Another Order: Phot…The fugitive gesture: Masterpieces of dance photography (1987)The fugitive gesture: Masterp…What is cinema (1967)What is cinemaQueer Orientalism and Modernism in Dance Photographs of Harald Kreutzberg and Yvonne Georgi (2022)Queer Orientalism and Moderni…“How Philly Moves”: from urban branding to kinesthetic sympathy through an aesthetic of blur (2016)“How Philly Moves”: from urba…Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)CEO Portraits and the Authenticity Paradox* (2005)Recognizing Lincoln: Image Vernaculars in Nineteenth-Century Visual Culture (2005)Beyond Porn and Discreditation: Epistemic Promises and Perils of Deepfake Technology in Digital Lifeworlds (2020)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)Constructing Memories: Creation of the choreographic resource (2006)Recent work on aesthetics of science (2002)Im Kino der Humanwissenschaften (2007)Mapping AIDS (2018)‘Best Betrayal’: the Documentation of performance on Video and Film, Part 1 (1995)Othello at the Market Theatre (2009)Creativity and Drama Education (2011)On “Having Been There”: “Eyewitnessing” as a Journalistic Key Word (2007)History and Cultural Memory in Neo-Victorian Fiction (2010)History and Cultural Memory in Neo-Victorian Fiction (2010)Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science (2002)An Intersemiotic Translation of a Mobile Art Project to a Photographic Essay (2016)The Performance of Pictorialist Dance Photography (2017)After the Archive: Remapping Memory (2010)The remediation of the personal photograph and the politics of self-representation in digital storytelling (2013)Bringing sexy back: Reclaiming the body aesthetic via self-shooting (2014)The daguerreotype’s first frame: François Arago’s moral economy of instruments (2007)Photography and the art of chance (2015)Crime Scene Photography in England, 1895–1960 (2018)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1967What is cinema602 cited
  • 1998Visions of modernity: representation, memory, time and space in the age of the camera159 cited
  • 2016Subsequent Performances71 cited
  • 1997Photography and its critics: a cultural history, 1839-190070 cited
  • 1998Beauty of another order: photography in science67 cited
  • 2000Transforming images: how photography complicates the picture46 cited
  • 1997Beauty of Another Order: Photography in Science28 cited
  • 1987The fugitive gesture: Masterpieces of dance photography11 cited
  • 1999Securing Our Dance Heritage: Issues in the Documentation and Preservation of Dance10 cited

Cited by

  • 2022Queer Orientalism and Modernism in Dance Photographs of Harald Kreutzberg and Yvonne Georgi6 cited
  • 2016“How Philly Moves”: from urban branding to kinesthetic sympathy through an aesthetic of blur4 cited

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