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Tactile Paths: on and through Notation for Improvisers
16 references·0 citing·35 second hop
Tactile Paths: on and through Notation for Improvisers (2017)Tactile Paths: on and through Notation fo…Oxford Handbook of Critical Improvisation Studies (2016)Oxford Handbook of Critical I…The RSVP Cycles: Creative Processes in the Human Environment (2014)The RSVP Cycles: Creative Pro…Into the Universe of Technical Images (2010)Into the Universe of Technica…For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn (2010)For a Relational Musicology: …Lines: a brief history (2008)Lines: a brief historyPrescriptive notation: Limits and challenges (2007)Prescriptive notation: Limits…Human-Machine Reconfigurations: Plans and Situated Actions (2006)Human-Machine Reconfiguration…Give My Regards to Eighth Street: Collected Writings of Morton Feldman (2004)Give My Regards to Eighth Str…The Improvisation of Musical Dialogue (2003)The Improvisation of Musical …Essays on the Blurring of Art and Life (2003)Essays on the Blurring of Art…Saying Something: Jazz Improvisation and Interaction (1999)Saying Something: Jazz Improv…Natural Histories of Discourse. (1997)Natural Histories of Discours…Extended Play: Sounding off from John Cage to Dr Funkenstein (1994)Extended Play: Sounding off f…Poetics, play, process, and power: The performative turn in anthropology (1989)Poetics, play, process, and p…THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH (1974)THOUGHTS ON IMPROVISATION: A …PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)PRESCRIPTIVE AND DESCRIPTIVE …Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Science and the Modern World (2000)Perspectival Anthropology and the Method of Controlled Equivocation (2004)Actor-Networks in Music History: Clarifications and Critiques (2014)Music and Ethical Responsibility (2014)Expert Listening beyond the Limits of Hearing: Music and Deafness (2017)How To Do Things With Words (1975)Sociomaterial Practices: Exploring Technology at Work (2007)10 Sociomateriality: Challenging the Separation of Technology, Work and Organization (2008)The Location of Culture (2012)Theory Construction in Qualitative Research (2012)The Interpretation of Cultures (2017)Playing to the Senses: Food as a Performance Medium (1999)The Playful and the Serious: An approximation to Huizinga's Homo Ludens . (2006)Seeing More and Seeing Differently: Sensemaking, Mindfulness, and the Workarts (2010)Cognitive Processes in Improvisation (1984)Decision support for improvisation in response to extreme events: Learning from the response to the 2001 World Trade Center attack (2005)A Cognitive Model of Improvisation in Emergency Management (2007)Folk Song Style (1959)Action, Criticism and Theory for Music Education (2004)Action and embodiment within situated human interaction (2000)The social life of cultural value (2003)Language and Social Relations (2006)Group creativity: musical performance and collaboration (2006)Distributed creativity: How collective creations emerge from collaboration. (2009)Music and the materialization of identities (2011)The textility of making (2009)The co-operative, transformative organization of human action and knowledge (2012)Learning by Expanding (2014)Algorithmic culture (2015)The Empathic Screen (2019)Morality in the Age of Artificially Intelligent Algorithms (2021)Music, health, and well-being: A review (2013)Musical choices during group free improvisation: A qualitative psychological investigation (2015)Mapping visions of improvisation pedagogy in music education research (2019)
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References

  • 2006Human-Machine Reconfigurations: Plans and Situated Actions2,256 cited
  • 1997Natural Histories of Discourse.1,819 cited
  • 2008Lines: a brief history747 cited
  • 1999Saying Something: Jazz Improvisation and Interaction382 cited
  • 2010Into the Universe of Technical Images337 cited
  • 2010For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn287 cited
  • 2003Essays on the Blurring of Art and Life270 cited
  • 1958PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING239 cited
  • 2016Oxford Handbook of Critical Improvisation Studies223 cited
  • 1974THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH216 cited
  • 2003The Improvisation of Musical Dialogue199 cited
  • 1994Extended Play: Sounding off from John Cage to Dr Funkenstein163 cited
  • 1989Poetics, play, process, and power: The performative turn in anthropology149 cited
  • 2014The RSVP Cycles: Creative Processes in the Human Environment129 cited
  • 2004Give My Regards to Eighth Street: Collected Writings of Morton Feldman126 cited
  • 2007Prescriptive notation: Limits and challenges

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