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Tainted Witness: Why We Doubt What Women Say About Their Lives
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Tainted Witness: Why We Doubt What Women Say About Their Lives (2017)Tainted Witness: Why We Doubt What Women …What About Us? (2021)What About Us?«Yo sí te creo». Estereotipos sexistas hacia las víctimas de agresión sexual. Un estudio de caso sobre la Audiencia Provincial de Baleares (2018) (2021)«Yo sí te creo». Estereotipos…The Afterlives of Those Who Write Themselves. Rethinking Autobiographical Archives (2020)The Afterlives of Those Who W…Performative neutrality and rape culture in Naomi Iizuka’s Good Kids (2020)Performative neutrality and r…Looking Forward: The Futures of Auto|Biography Studies (2017)Looking Forward: The Futures …How Our Lives Become Stories (1999)The Limits of Autobiography (2001)I, Rigoberta Menchu: An Indian Woman in Guatemala (2010)Performative Acts and Gender Constitution : An Essay in Phenomenology and Feminist Theory (1988)Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory (1988)Gender Trouble: Feminism and the Subversion of Identity (1991)Archive Fever: A Freudian Impression (1995)Family Frames: Photography, Narrative and Postmemory (1997)Paratexts: Thresholds of Interpretation (1997)Feminism Unmodified: Discourses on Life and Law (1988)Feminism Unmodified: Discourses on Life and Law (1989)European Union Agency for Fundamental Rights (2006)Precarious Life: The Powers of Mourning and Violence (2004)Politics of Piety: The Islamic Revival and the Feminist Subject (2006)Epistemic Injustice (2007)
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Cited by

  • 2017Looking Forward: The Futures of Auto|Biography Studies28 cited
  • 2020The Afterlives of Those Who Write Themselves. Rethinking Autobiographical Archives17 cited
  • 2021«Yo sí te creo». Estereotipos sexistas hacia las víctimas de agresión sexual. Un estudio de caso sobre la Audiencia Provincial de Baleares (2018)16 cited
  • 2020Performative neutrality and rape culture in Naomi Iizuka’s Good Kids6 cited
  • 2021What About Us?2 cited

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