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Farce and Fantasy: Popular Entertainment in Eighteenth-Century Paris.
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Farce and Fantasy: Popular Entertainment in Eighteenth-Century Paris. (1987)Farce and Fantasy: Popular Entertainment …Music Criticism in Norway (2019)Music Criticism in NorwayCritiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…The everyday lives of Parisian women and the October days of 1789∗ (1999)The everyday lives of Parisia…Breeches and Breaches: Cross-Dress Theater and the Culture of Gender Ambiguity in Modern France (1996)Breeches and Breaches: Cross-…Playing it again:A study of vaudeville and the aesthetics of incorporation in restoration France (1989)Playing it again:A study of v…Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800-1976 (1982)The Nation's Image: French Grand Opera as Politics and Politicized Art (1988)Realism and Revolution: Balzac, Stendhal, Zola and the Performance of History (1992)The Rights and Wrongs of Women (1976)Women and the Public Sphere in the Age of the French Revolution. (1991)The Prospect Before Her: A History of Women in Western Europe, 1500-1800 (1995)1789: The French Revolution Begins (2019)Gender and the Politics of History (1988)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Making Sex: Body and Gender from the Greeks to Freud (1994)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)
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  • 1996Breeches and Breaches: Cross-Dress Theater and the Culture of Gender Ambiguity in Modern France25 cited
  • 1999The everyday lives of Parisian women and the October days of 1789∗24 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 1989Playing it again:A study of vaudeville and the aesthetics of incorporation in restoration France3 cited

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