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Fandom’s paratextual memory: remembering, reconstructing, and repatriating “lost” Doctor Who
8 references·3 citing·30 second hop
Fandom’s paratextual memory: remembering, reconstructing, and repatriating “lost” Doctor Who (2017)Fandom’s paratextual memory: remembering,…Rogue Archives (2016)Rogue ArchivesDoctor Who: The Unfolding Event (2015)Doctor Who: The Unfolding Eve…What Role for Authenticity in the 2003 UNESCO Convention for the Safeguarding of Intangible Cultural Heritage (2014)What Role for Authenticity in…Cult Collectors (2014)Cult CollectorsUnderstanding Fandom (2013)Understanding FandomThe Mnemonic Imagination (2012)The Mnemonic ImaginationParatexts: Thresholds of Interpretation (1997)Paratexts: Thresholds of Inte…Gérard Genette Paratexts (1997)Gérard Genette ParatextsGOVERNADOS EM SEUS PRÓPRIOS TERMOS: PROSSUMO DE FÃS EM RELAÇÃO AOS PARATEXTOS MIDIÁTICOS DE VINGADORES: ULTIMATO (2024)GOVERNADOS EM SEUS PRÓPRIOS T…Developing Affective Brands: Paratextualization in the Entertainment Industry (2023)Developing Affective Brands: …Paratexts on a social network site and their relevance in the production of meaning—Results of a qualitative investigation of Twitter-Feeds (2020)Paratexts on a social network…Emotion And Adaptation (1991)Grounded Theory (2002)Parables for the Virtual (2002)Archaeology of Knowledge (1970)Determining Validity in Qualitative Inquiry (2000)Consumer Brand Engagement in Social Media: Conceptualization, Scale Development and Validation (2014)The Cambridge Introduction to Narrative (2008)Show sold separately: promos, spoilers, and other media paratexts (2010)The Cambridge Introduction to Narrative (2020)New Audiences, New Textualities (2003)Transmedial Storytelling and Transfictionality (2013)Exemplary Ethics in Ancient Rome (2018)Staging the ‘authenticity’ of intangible heritage from the production perspective: the case of craftsmanship museum cluster in Hangzhou, China (2014)Protecting contemporary cultural soundscapes as intangible cultural heritage: sounds of Istanbul (2016)Historic urban landscape: an approach for sustainable management in Cuenca (Ecuador) (2017)Politicising fandom (2017)Theorizing Development of Parasocial Engagement (2018)An emergent algorithmic culture: The data-ization of online fandom in China (2020)LEGO Dimensions meets Doctor Who: Transbranding and New Dimensions of Transmedia Storytelling? (2016)World Building. Transmedia, Fans, Industries (2017)World Building. Transmedia, Fans, Industries (2017)Re-enactment methodologies for everyday life research: art therapy insights for video ethnography (2014)‘Nostalgia for the future’: memory, nostalgia and the politics of class (2017)Remembrance as remaking: memories of the nation revisited (2018)Board, game, and media (2014)Crowdfunding: A Spimatic application of digital fandom (2014)#Wheresrey?: Toys, spoilers, and the gender politics of franchise paratexts (2017)Fandom, Negotiation, and Participatory Culture (2018)"Coming Out Okay" (2019)Born digital: The Black lives matter movement and memory after the digital turn (2020)
this work references cited by second hop

References

  • 1997Paratexts: Thresholds of Interpretation2,686 cited
  • 1997Gérard Genette Paratexts1,954 cited
  • 2013Understanding Fandom391 cited
  • 2016Rogue Archives262 cited
  • 2012The Mnemonic Imagination171 cited
  • 2014Cult Collectors146 cited
  • 2014What Role for Authenticity in the 2003 UNESCO Convention for the Safeguarding of Intangible Cultural Heritage80 cited
  • 2015Doctor Who: The Unfolding Event21 cited

Cited by

  • 2023Developing Affective Brands: Paratextualization in the Entertainment Industry3 cited
  • 2020Paratexts on a social network site and their relevance in the production of meaning—Results of a qualitative investigation of Twitter-Feeds3 cited
  • 2024GOVERNADOS EM SEUS PRÓPRIOS TERMOS: PROSSUMO DE FÃS EM RELAÇÃO AOS PARATEXTOS MIDIÁTICOS DE VINGADORES: ULTIMATO2 cited

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