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Stanislavski, emotion and the future of the UK conservatoire
15 references·0 citing·31 second hop
Stanislavski, emotion and the future of the UK conservatoire (2017)Stanislavski, emotion and the future of t…Self comes to mind: Constructing the conscious brain (2012)Self comes to mind: Construct…Self comes to mind : constructing the conscious brain (2010)Self comes to mind : construc…Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile (2010)Alba Emoting and emotional me…The Director's Craft: A Handbook for the Theatre (2008)The Director's Craft: A Handb…An Actor's Work (2008)An Actor's WorkThe art of the actor: the essential history of acting, from classical times to the present day (2007)The art of the actor: the ess…Falsifiable Theories for Theatre and Performance Studies (2007)Falsifiable Theories for Thea…Performance and Cognition (2006)Performance and CognitionThe Feeling of What Happens: Body and Emotion in the Making of Consciousness (2000)The Feeling of What Happens: …Stanislavski : his life and art (1999)Stanislavski : his life and a…Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions (1993)Alba Emoting: A Psychophysiol…Effector patterns of basic emotions: a psychophysiological method for training actors (1987)Effector patterns of basic em…Respect for Acting (1974)Respect for ActingEssay on the creative imagination. (1906)Essay on the creative imagina…The psychology of the emotions. (1903)The psychology of the emotion…The Empty Space (1968)Exhilaration and humor (1993)Is love a “basic” emotion? (1996)Towards a Poor Theatre (2012)New Perspectives on Emotional Contagion: A Review of Classic and Recent Research on Facial Mimicry and Contagion (2014)Meyerhold on Theatre (2016)Project for a scientific psychology. (1954)Intentionality (1983)Philosophical conceptions of the self: implications for cognitive science (2000)Self-referential processing in our brain—A meta-analysis of imaging studies on the self (2006)Solving the Emotion Paradox: Categorization and the Experience of Emotion (2006)The Ties That Bind Us (2014)Reconstructing and deconstructing the self: cognitive mechanisms in meditation practice (2015)Understanding the Higher-Order Approach to Consciousness (2019)The voice and the emotions (1915)Unconscious integration of multisensory bodily inputs in the peripersonal space shapes bodily self-consciousness (2016)What Is Meditation? Proposing an Empirically Derived Classification System (2019)Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition (2011)When narrative takes over: The representation of embedded mindstates in Shakespeare’s Othello (2015)Generative Critique in Interdisciplinary Collaborations: From Critique in and of the Neurosciences to Socio-Technical Integration Research as a Practice of Critique in R(R)I (2020)Believable Robot Characters (2011)How geopolitical becomes personal: Method acting, war films and affect (2019)Rediscovering Stanislavsky (2019)The Relationship of Creativity to Cortical Activation and its Operant Control (1974)Creativity across Time and Place: life span and cross‐cultural perspectives (1998)In search of an index of imagination for virtual experience designers (2012)Immersion, Embodiment, and Imagination: Moving Beyond an Aesthetic of Objectivity in Research-Informed Performance in Health (2014)An Aesthetic of Relationality: Embodiment, Imagination, and the Necessity of Playing the Fool in Research-Informed Theater (2017)The Data Puzzle: The Nature of Interpretation in Quantitative Research (1996)A Moral Method? Thoughts on cultivating empathy through Method acting (2000)Enacting the ‘true self’: Towards a theory of embodied authentic leadership (2009)
this work references cited by second hop

References

  • 2000The Feeling of What Happens: Body and Emotion in the Making of Consciousness3,393 cited
  • 2010Self comes to mind : constructing the conscious brain2,069 cited
  • 2012Self comes to mind: Constructing the conscious brain366 cited
  • 2008An Actor's Work175 cited
  • 2006Performance and Cognition109 cited
  • 1974Respect for Acting97 cited
  • 2008The Director's Craft: A Handbook for the Theatre83 cited
  • 1906Essay on the creative imagination.82 cited
  • 1987Effector patterns of basic emotions: a psychophysiological method for training actors75 cited
  • 1903The psychology of the emotions.69 cited
  • 1993Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions65 cited
  • 1999Stanislavski : his life and art59 cited
  • 2007Falsifiable Theories for Theatre and Performance Studies42 cited
  • 2007The art of the actor: the essential history of acting, from classical times to the present day42 cited
  • 2010Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile11 cited

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