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Cited by

• 2019The Cambridge History of Sixteenth-Century Music52 cited
• 2014Religion40 cited
• 2019Music in the Early Colonial World24 cited
• 1979Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach22 cited
• 1992Was Galileo’s Father an Experimental Scientist?22 cited
• 2014The Cambridge Companion to the Italian Renaissance21 cited
• 2021Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence18 cited
• 2017Child–Computer Interaction at the Beginner Stage of Music Learning: Effects of Reflexive Interaction on Children’s Musical Improvisation18 cited
• 2014Artistic geographies14 cited
• 2014Artists’ workshops14 cited
• 2015Bad Latin, Bad Manners: Giovanni Battista Doni, Marin Mersenne, and Literary Style in Seventeenth-Century Music Theory8 cited
• 1980Pythagorean Intonation and the Rise of the Triad7 cited
• 1984Introductory Notes on the Historiography of the Greek Modes6 cited
• 2010Some Notes on the First Edition of Monteverdi's 'Orfeo' (1609)5 cited
• 2010Music Theory: Speculation, Reasoning, Experience. A Perspective from Systematic Musicology