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Paraphrase this: a note on improvisation
16 references·0 citing·33 second hop
Paraphrase this: a note on improvisation (2017)Paraphrase this: a note on improvisationOn the relationship between technique and style: the case of the violin (2014)On the relationship between t…Improvisation Hypermedia and the Arts since 1945 (2013)Improvisation Hypermedia and …The Philosophy of Improvisation (2009)The Philosophy of Improvisati…Imagination in practice: a study of the integrated roles of interpretation, imagery and technique in the learning and memorisation processes of two experienced solo performers (2005)Imagination in practice: a st…Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity (2004)Copyrights and Copywrongs: Th…Informal Learning of Musical Instruments: The importance of social context (2002)Informal Learning of Musical …Irish Traditional Music in a Modern World (2001)Irish Traditional Music in a …Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity (2001)Copyrights and Copywrongs: Th…All That Is Not Given Is Lost: Irish Traditional Music, Copyright, and Common Property (2001)All That Is Not Given Is Lost…Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…In the Course of Performance: Studies in the World of Musical Improvisation (1999)In the Course of Performance:…The New Grove Dictionary of Jazz (1994)The New Grove Dictionary of J…The Melodic Tradition of Ireland (1993)The Melodic Tradition of Irel…Annual Review of Jazz Studies (1986)Annual Review of Jazz StudiesImprovisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…Jazz: Its Evolution and Essence (1956)Jazz: Its Evolution and Essen…Outline of a Theory of Practice. (1980)Governing the Commons: The Evolution of Institutions for Collective Action (1992)The medium is the message: cyberspace, community, and music learning in the Irish traditional music virtual community (2008)The Internet and democratic citizenship: theory, practice and policy (2010)Stone Age Economics (2012)An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change (2013)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)Out of Notes: Signification, Interpretation, and the Problem of Miles Davis (1993)The Cambridge History of American Music (1998)The Cambridge History of Music Criticism (2019)The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)The Rise of a Jazz Art World (2002)Decision support for improvisation in response to extreme events: Learning from the response to the 2001 World Trade Center attack (2005)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (translated by G. Yudin) (2010)Bastard Culture! How User Participation Transforms Cultural Production (2011)Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Seeing the Sound: An Exploration of the Use of Mental Imagery by Classical Musicians (2008)Evaluation of a Mental Skills Training Program for Musicians (2011)The performer’s experience: A case for using qualitative (phenomenological) methodologies in music performance research (2013)Musical identities of professional jazz musicians: a focus group investigation (2005)Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Descriptions of Improvisational Thinking by Artist-Level Jazz Musicians (2011)Heritage Trouble: Recent Work on the Protection of Intangible Cultural Property (2005)Hacker practice (2008)Mapping the New Commons (2009)Jammin' an Ending: Creativity, Knowledge, and Conduct among Jazz Musicians (2011)Sounds of the Underground (2016)Mapping visions of improvisation pedagogy in music education research (2019)Classification as Culture: Types and Trajectories of Music Genres (2008)Looking for work in creative industries policy (2009)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)
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References

  • 1980Improvisation: Its Nature And Practice In Music674 cited
  • 2001Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity657 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1956Jazz: Its Evolution and Essence264 cited
  • 1999In the Course of Performance: Studies in the World of Musical Improvisation203 cited
  • 2009The Philosophy of Improvisation157 cited
  • 1994The New Grove Dictionary of Jazz105 cited
  • 2004Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity103 cited
  • 2005Imagination in practice: a study of the integrated roles of interpretation, imagery and technique in the learning and memorisation processes of two experienced solo performers89 cited
  • 2001All That Is Not Given Is Lost: Irish Traditional Music, Copyright, and Common Property76 cited
  • 2013Improvisation Hypermedia and the Arts since 194571 cited
  • 2002Informal Learning of Musical Instruments: The importance of social context68 cited
  • 1993The Melodic Tradition of Ireland43 cited
  • 1986Annual Review of Jazz Studies24 cited
  • 2001Irish Traditional Music in a Modern World

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18 cited
  • 2014On the relationship between technique and style: the case of the violin9 cited
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