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Technique and the Art of Immortality, 1800–1900
14 references·1 citing·26 second hop
Technique and the Art of Immortality, 1800–1900 (2017)Technique and the Art of Immortality, 180…Mural Painting in Britain 1630–1730 (2020)Mural Painting in Britain 163…Cultural histories of the material world (2014)Cultural histories of the mat…American painters on technique: 1860-1945 (2014)American painters on techniqu…Technical Art History: The Synergy of Art, Conservation and Science (2012)Technical Art History: The Sy…American painters on technique: the Colonial period to 1860 (2012)American painters on techniqu…Dress as a Fine Art, with Suggestions on Children's Dress (2007)Dress as a Fine Art, with Sug…Time's Visible Surface: Alois Riegl and the Discourse on History and Temporality in Fin-de-Siècle Vienna (2006)Time's Visible Surface: Alois…The body of the artisan: art and experience in the scientific revolution (2004)The body of the artisan: art …The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 With Reference to Selected Eighteenth-Century Sources (2002)The Artist's Assistant, Oil P…Alois Riegl: art history and theory (1994)Alois Riegl: art history and …Methods and materials of painting of the great schools and masters (1960)Methods and materials of pain…The Decoration of the New Palace of Westminster, 1841-1863 (1954)The Decoration of the New Pal…The materials of the artist and their use in painting, with notes on the techniques of the old masters (1949)The materials of the artist a…Practical Directions For Portrait Painting In Water-Colours (1874)Practical Directions For Port…The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts (2019)The Texture of Capitalism:Ind…Rational Decision-Making in the Preservation of Cultural Property (2002)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products (2011)Portable diffuse reflectance infrared Fourier transform (DRIFT) technique for the non-invasive identification of canvas ground: IR spectra reference collection (2015)Response Surface Methodology - Research Advances and Applications (2022)Identification of Proteins in Renaissance Paintings by Proteomics (2006)The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy (2014)Ageing of resin from Pinus species assessed by infrared spectroscopy (2016)From the culture of spolia to the cult of relics: the Arch of Constantine and the genesis of late antique forms (2000)The Dubious Inheritance of Touch: Art History and Museum Access (2006)The Schenker Project (2007)Piero della Francesca in nineteenth-century Britain (1994)THE TRANSFIGURATIONS OF CAROLINE NORTON (2002)Picturing reform in Victorian Britain (2013)The Figure of Tyranny in the Glorification of William and Mary: Reassessing the interpretation of Thornhill’s Painted Hall (2022)Ein erster Überblick über englisch-deutsche Kunstkontakte im Zeitraum 1660–1727: Künstler- und Objektmobilität, Reisenarrative, Kunstaufträge mit Bezug zum Hosenbandorden und deutsch-englische Kontakte in der Monumentalmalerei (2024)The Urban Quandary and the ‘Mega-Site’ from the Çatalhöyük Perspective (2017)Hiding, making, showing, creation: the studio from Turner to Tacita Dean (2014)The trace in the technique: Forensic science and the Connoisseur's gaze (2021)3D Printing and the Art World: Current Developments and Future Perspectives (2023)Good-bye to all that: COVID-19 and the transformations of cultural heritage (2020)MUSCLES, MORALS AND MIND: CRAFT APPRENTICESHIP AND THE FORMATION OF PERSON (2008)Collecting Knowledge for the Family: Recipes, Gender and Practical Knowledge in the Early Modern English Household (2013)“Citizen Science”? Rethinking Science and Public Participation (2018)
this work references cited by second hop

References

  • 2004The body of the artisan: art and experience in the scientific revolution300 cited
  • 2002The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 With Reference to Selected Eighteenth-Century Sources95 cited
  • 1994Alois Riegl: art history and theory86 cited
  • 1949The materials of the artist and their use in painting, with notes on the techniques of the old masters57 cited
  • 1960Methods and materials of painting of the great schools and masters53 cited
  • 1954The Decoration of the New Palace of Westminster, 1841-186333 cited
  • 2012Technical Art History: The Synergy of Art, Conservation and Science26 cited
  • 2014Cultural histories of the material world20 cited
  • 2006Time's Visible Surface: Alois Riegl and the Discourse on History and Temporality in Fin-de-Siècle Vienna11 cited
  • 2020Mural Painting in Britain 1630–173010 cited
  • 2014American painters on technique: 1860-19458 cited
  • 2012American painters on technique: the Colonial period to 18604 cited
  • 1874Practical Directions For Portrait Painting In Water-Colours3 cited
  • 2007Dress as a Fine Art, with Suggestions on Children's Dress1 cited

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  • 2019

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The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts
3 cited