Domestic Exoticism

Tôru Mitsui

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Music History and Culture Musicology and Musical Analysis Japanese History and Culture

Abstract

Mitsui's article addresses the domestic self-exoticisation of Japanese popular music through the incorporation of elements of traditional main-island Japanese, Okinawan and/or Asian Pacific regional music. As Mitsui discusses, while related to both the international vogues for folk music (in the 1960&-70s) and world music (in the 1980&-90s), this tendency in Japanese music has been a distinctly local phenomenon which evidences both an introverted and a pan-Asian pop sensibility.

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References

1996Staging the New Asia: Singapore's Dick Lee, Pop Music, and a Counter-Modernity 1993The Virgin directory of world music

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2013Global exoticism and modernity 2013Old, New, Borrowed … : Hybridity in the Okinawan Guitarscape 2004Fence, flavor, and phantasm: Japanese musicians and the meanings of ‘Japaneseness’

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