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The (Mis)Representation of African American Music: The Role of the Fiddle
16 references·1 citing·33 second hop
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this work references cited by second hop

References

  • 1997Representation: Cultural representations and signifying practices.7,801 cited
  • 2017The Wages of Whiteness2,119 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 1992The wages of whiteness: race and the making of the American working class1,078 cited
  • 1949Webster's New Collegiate Dictionary901 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1970The Atlantic Slave Trade: A Census.789 cited
  • 2000Music and the racial imagination629 cited
  • 1970The Atlantic Slave Trade: A Census523 cited
  • 1988From Slavery to Freedom: A History of Negro Americans509 cited
  • 1994Love and theft: blackface minstrelsy and the American working class474 cited
  • 2004Race music: black cultures from bebop to hip-hop378 cited
  • 2001The Volume and Structure of the Transatlantic Slave Trade: A Reassessment327 cited
  • 1999Musicking: The Meanings of Performing and Listening270 cited
  • 2010Segregating sound: inventing folk and pop music in the age of Jim Crow242 cited
  • 1999Servants of Allah: African Muslims enslaved in the Americas

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234 cited

Cited by

  • 2020DeFord Bailey in Country Music's Multiracial Canon4 cited