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I wanna be your punk: o universo de possíveis do punk, do D.I.Y. e das culturas underground
16 references·4 citing·34 second hop
I wanna be your punk: o universo de possíveis do punk, do D.I.Y. e das culturas underground (2017)I wanna be your punk: o universo de possí…Global Punk (2016)Global PunkNetworks of sound, style and subversion (2015)Networks of sound, style and …Keep it rocking: The social space of Portuguese alternative rock (1980–2010) (2015)Keep it rocking: The social s…Some Things a Scene Might Be (2014)Some Things a Scene Might BeIt was easy, it was cheap, so what? (2009)It was easy, it was cheap, so…Defending ski-jumpers: A critique of theories of youth sub-cultures (2007)Defending ski-jumpers: A crit…Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Punk’s Not Dead: The Continui…The Death and Life of Punk, The Last Subculture (2004)The Death and Life of Punk, T…Punk Productions: Unfinished Business (2004)Punk Productions: Unfinished …Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)Postmodernism and Punk Subcul…Music Scenes (2004)Music ScenesThe Most Radical Gesture (2002)The Most Radical GesturePost-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Post-Punk's attempt to democr…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Urban Rhythms (1985)Urban RhythmsNEVERMIND...WHAT? (2020)NEVERMIND...WHAT?Dias de insurreição em busca do sublime: as cenas punk portuguesas e brasileiras (2019)Dias de insurreição em busca …A Comparison Between Portuguese and Chinese Punks: A Genealogy, Style, and Space (2018)A Comparison Between Portugue…“Punk Fairytale”: Popular Music, Media, and the (Re)Production of Gender (2018)“Punk Fairytale”: Popular Mus…Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The postmodern condition (1994)Consumption Styles and the Fluid Complexity of Punk Authenticity (2009)“If It Ain't Cheap, It Ain't Punk”: Walter Benjamin's Progressive Cultural Production and DIY Punk Record Labels (2012)Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal (2018)On Record: Rock, Pop and the Written Word (1990)Hiding in the Light, on Images and Things (1992)What Is Sociological about Music? (2010)The post-subcultural turn: some reflections 10 years on (2011)Musical taste and patterns of symbolic exclusion in the United States 1993–2012: Generational dynamics of differentiation and continuity (2015)Cycles in Symbol Production: The Case of Popular Music (1975)Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004)Micro-independent record labels in the UK (2007)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Club cultures: music, media and subcultural capital (1996)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Youth Subcultural Theory: A Critical Engagement with the Concept, its Origins and Politics, from the Chicago School to Postmodernism (2005)In Defence of Subculture: Young People, Leisure and Social Divisions (2006)Social Spaces of Music: Introduction (2014)Cultural Capital: Arts Graduates, Spatial Inequality, and London’s Impact on Cultural Labor Markets (2017)What is Donald Trump? Forms of ‘Celebrity’ in Celebrity Politics (2018)Where the Mystical Meets the Market: Creativity and Commerce in the Production of Popular Music (1995)CYBERNETICS AND AMERICAN YOUTH SUBCULTURE (1998)Classification as Culture: Types and Trajectories of Music Genres (2008)Soundscapes: Toward a Sounded Anthropology (2010)Translocality: Concepts, Applications and Emerging Research Perspectives (2013)Friends Don't Let Friends Listen to Corporate Rock (2007)Roots radical – place, power and practice in punk entrepreneurship (2014)DIY Music and the Politics of Social Media (2020)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2004Music Scenes437 cited
  • 1985Urban Rhythms213 cited
  • 2006Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans201 cited
  • 1997Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade198 cited
  • 2007Defending ski-jumpers: A critique of theories of youth sub-cultures150 cited
  • 2004Punk Productions: Unfinished Business149 cited
  • 2004Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction117 cited
  • 2015Networks of sound, style and subversion106 cited
  • 2016Global Punk106 cited
  • 2002The Most Radical Gesture90 cited
  • 2014Some Things a Scene Might Be85 cited
  • 2004The Death and Life of Punk, The Last Subculture76 cited
  • 2015Keep it rocking: The social space of Portuguese alternative rock (1980–2010)48 cited
  • 2009It was easy, it was cheap, so what?40 cited

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Cited by

  • 2018“Punk Fairytale”: Popular Music, Media, and the (Re)Production of Gender5 cited
  • 2018A Comparison Between Portuguese and Chinese Punks: A Genealogy, Style, and Space3 cited
  • 2020NEVERMIND...WHAT?3 cited
  • 2019Dias de insurreição em busca do sublime: as cenas punk portuguesas e brasileiras3 cited