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Cited by

• 20012000 NAPS Presidential Address Spoken Words, Voiced Silence: Biblical Women in Syriac Tradition56 cited
• 2014Evolutionary Categories and Musical Style from Adler to America44 cited
• 2001Woolf, Postcards, and the Elision of Race: Colonizing Women in The Voyage Out44 cited
• 2006Intonation Drift in A Capella Soprano, Alto, Tenor, Bass Quartet Singing With Key Modulation42 cited
• 2007The Music of Louis Andriessen37 cited
• 2013Le “chiavi tematiche bibliche” nel contesto della tradizione retorica e letteraria europea: un capitolo di poetica storica37 cited
• 1999Bach and the Chaconne32 cited
• 2002Le chef d’orchestre: pratiques de l’autorité et métaphores politiques31 cited
• 2008"Noises, / Sounds, and sweet airs": The Burden of Shakespeare's Tempest30 cited
• 2000Ghostly Voices: some Observations on Song‐Creation, Ceremony and Being in NW Australia28 cited
• 1999Dietrich Bartel, Musica Poetica. Lincoln, Nebraska, University of Nebraska Press. 1997. xv + 471 pp.22 cited
• 2004How Music Created a Public19 cited
• 2002Spoken Music: Enhancing Access to Music for the Print Disabled16 cited
• 2010Culture and gender in a cathedral music context: an activity theory exploration