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Many institutions collect the papers of prominent artists, but similar efforts have rarely extended to the archives of self-taught artists and artists of local renown. The author recommends that institutions establish collaborative relationships with local artists, supporting these artists’ personal archiving efforts with guidance and resources, and providing an archival repository for long-term community access to these materials. This article presents a case study of such a relationship between Durham-based painter Cornelio Campos and the Durham County Library. The author analyzes this effort to articulate a general framework for establishing strong relationships between local artists and cultural heritage institutions.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.