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Beyond Hammer: the first run market and the prestige horror film in the early 1960s
16 references·0 citing·29 second hop
Beyond Hammer: the first run market and the prestige horror film in the early 1960s (2017)Beyond Hammer: the first run market and t…De Koude Oorlog Versus Stanley Kubrick: Nucleair conflict door de lens van de historische film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). (2017)De Koude Oorlog Versus Stanle…The Fifties: Transforming the Screen, 1950–1959 (2006)The Fifties: Transforming the…The Hollywood Studio System (2005)The Hollywood Studio SystemGhouls, gimmicks, and gold: horror films and the American movie business, 1953-1968 (2004)Ghouls, gimmicks, and gold: h…Artists in the audience: cults, camp, and American film criticism (2000)Artists in the audience: cult…Film/Genre (1999)Film/GenreArtists in the Audience (1999)Artists in the AudienceRational fears: American horror in the 1950s (1997)Rational fears: American horr…Rational Fears: American Horror in the 1950s (1996)Rational Fears: American Horr…Melodrama and meaning: history, culture, and the films of Douglas Sirk (1994)Melodrama and meaning: histor…Hitchcock: the making of a reputation (1993)Hitchcock: the making of a re…Hitchcock (1992)HitchcockMonsters and mad scientists: a cultural history of the horror movie (1990)Monsters and mad scientists: …The Hollywood Studio System (1987)The Hollywood Studio SystemHollywood from Vietnam to Reagan (1986)Hollywood from Vietnam to Rea…British society since 1945 (1982)British society since 1945The decline and fall of the European film industry: sunk costs, market size, and market structure, 1890–19271 (2005)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics (2020)Public Television in Transition: A Comparative and Historical Analysis of the BBC and the NRK (1992)Social and Symbolic Fathers and Sons in Postwar Britain (1999)Mentoring and perpetuating the entrepreneurial spirit within family business by telling contingent stories (2009)Creativity and cultural production (2000)Critical Discourse and the Cultural Consecration of American Films (2004)Cooking up change in haute cuisine: Ferran Adrià as an institutional entrepreneur (2007)Organisation der TV-Produktion in Projektnetzwerken: Zur Bedeutung von Produkt- und Industriespezifika (2004)Commercial success and artistic recognition of motion picture projects (2009)Global Media Capital and Local Media Policy (2011)'A Real Shocker': Authenticity, genre and the struggle for distinction (2000)"My Kind of Campfire": The Eurovision Song Contest and Israeli Gay Men (2004)The Price of Heaven: Remaking Politics in All that Heaven Allows , Ali: Fear Eats the Soul , and Far from Heaven (2008)Horror Film and Psychoanalysis (2004)Insiders, Outsiders, and the Struggle for Consecration in Cultural Fields (2014)A (Macro) Sociology of Fear? (2003)Vampire Apocalypse: A Biocultural Critique of Richard Matheson's I Am Legend (2010)Science Fiction and Horror in the 1950s (2014)Identities, Genres, and Organizational Forms (2005)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)Cinema of outsiders: the rise of American independent film (2000)Media and Violence: Gendering the Debates (2005)Transformations: Thinking Through Feminism (2005)Die Produktivität der Aneignung — Zur Soziologie medialer Fankulturen (1993)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Of Power Maniacs and Unethical Geniuses: Science and Scientists in Fiction Film (2003)
this work references cited by second hop

References

  • 1999Film/Genre703 cited
  • 1986Hollywood from Vietnam to Reagan578 cited
  • 1990Monsters and mad scientists: a cultural history of the horror movie300 cited
  • 1994Melodrama and meaning: history, culture, and the films of Douglas Sirk226 cited
  • 2005The Hollywood Studio System146 cited
  • 1992Hitchcock120 cited
  • 1982British society since 1945112 cited
  • 1987The Hollywood Studio System94 cited
  • 1993Hitchcock: the making of a reputation69 cited
  • 1997Rational fears: American horror in the 1950s68 cited
  • 1999Artists in the Audience57 cited
  • 1996Rational Fears: American Horror in the 1950s57 cited
  • 2000Artists in the audience: cults, camp, and American film criticism49 cited
  • 2017De Koude Oorlog Versus Stanley Kubrick: Nucleair conflict door de lens van de historische film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964).46 cited
  • 2004Ghouls, gimmicks, and gold: horror films and the American movie business, 1953-196839 cited
  • 2006The Fifties: Transforming the Screen, 1950–195935 cited

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