Music Screen-Reading: indicative results from two pilot studies

Lindsay Vickery · Talisha Goh

2 citations0/0 files storedAustralasian Journal of Paramedicine

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Diverse Music Education Insights Music Technology and Sound Studies Visual and Cognitive Learning Processes

Abstract

This paper discusses two pilot studies conducted by Lindsay Vickery and Talisha Goh, Screening the Score: Exploring the Potentials and Limitations of Presenting Music Notation on the iPad and Sight - Reading Polyphonic Musical Textures: a Pilot Eye-Movement Study. Vickery’s experiment sought to investigate the activity of the eyes of musicians while performing a variety of notations and score presentation types from a screen. Goh’s experiment explored sight-reading polyphonic keyboard music containing two, three, four and five voices, at a comfortable pace and with a click-track beat.

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References

1998Eye movements in reading and information processing: 20 years of research.2009The 35th Sir Frederick Bartlett Lecture: Eye movements and attention in reading, scene perception, and visual search 2008Towards a general model of skills involved in sight reading music 1994Profiles of Processing: Eye Movements during Sightreading 1994Eye Movement in Music Reading: Effects of Reading Ability, Notational Complexity, and Encounters 1943Studies of ocular behavior in music reading.

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2018REFRAMING THE LISTENING EXPERIENCE THROUGH THE PROJECTED SCORE

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