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Tactile augmentation: Reaching for tacit knowledge
8 references·0 citing·27 second hop
Tactile augmentation: Reaching for tacit knowledge (2014)Tactile augmentation: Reaching for tacit …Hands-on intellect: integrating craft practice into design research (2012)Hands-on intellect: integrati…Research Practice in Art and Design: Experiential Knowledge and Organised Inquiry (2011)Research Practice in Art and …REFLECTION AND DOCUMENTATION IN PRACTICE-LED DESIGN RESEARCH (2011)REFLECTION AND DOCUMENTATION …On Reflecting and Making in Artistic Research (2011)On Reflecting and Making in A…Paperness : expressive material in textile art from an artist's viewpoint (2009)Paperness : expressive materi…Event-sampling and other methods for studying everyday experience. (2000)Event-sampling and other meth…The Reflective Practitioner: How Professionals Think in Action. (1987)The Reflective Practitioner: …Protocol Analysis: Verbal Reports as Data (1986)Protocol Analysis: Verbal Rep…Phenomenology of Perception (1982)The Reflective Practitioner: How Professionals Think in Action (1985)Tactile augmentation: A multimethod for capturing experiential knowledge (2015)Personal exploration: Serendipity and intentionality as altering positions in a creative process (2016)Artistic Research: Artistic as Research vs Artistic as Method (2020)Practice-led Research, Research-led Practice in the Creative Arts (2009)Practice as Research: Approaches to Creative Arts Enquiry (2014)Navigating methodological perspectives in Doctoral research through creative practice (2020)Problems of Knowledge. A Critical Introduction to Epistemology (2001)Second Nature: Brain Science and Human Knowledge (2006)Conditions for experiential knowledge exchange in collaborative research across the sciences and creative practice (2020)Knowing together – experiential knowledge and collaboration (2020)Petit récit de l’émergence de la recherche-création médiatique à l’UQAM et quelques propositions pour en guider la pratique (2020)A Theory of Craft: Function and Aesthetic Expression (2007)Articulating Challenges of Hybrid Crafting for the Case of Interactive Silversmith Practice (2017)Thinking through Craft (2017)Reflection and Documentation in Practice-led Design Research (2011)Documentation as a practice-led research tool for reflection on experiential knowledge (2018)Co-Lab: research and development of an online learning environment for collaborative scientific discovery learning (2004)Designing for Service as One Way of Designing Services (2011)What Is Reflection? Looking for Clarity in an Ambiguous Notion (2014)Human Nature in Politics: The Dialogue of Psychology with Political Science (1985)The Persuasion Knowledge Model: How People Cope with Persuasion Attempts (1994)Research Synthesis: The Practice of Cognitive Interviewing (2007)Internet Use and Well‐Being in Adolescence (2002)Adolescent Internet use: What we expect, what teens report (2004)Systematically reviewing remote e-workers’ well-being at work: a multidimensional approach (2018)
this work references cited by second hop

References

  • 1986Protocol Analysis: Verbal Reports as Data4,346 cited
  • 1987The Reflective Practitioner: How Professionals Think in Action.672 cited
  • 2000Event-sampling and other methods for studying everyday experience.457 cited
  • 2012Hands-on intellect: integrating craft practice into design research120 cited
  • 2009Paperness : expressive material in textile art from an artist's viewpoint44 cited
  • 2011On Reflecting and Making in Artistic Research35 cited
  • 2011REFLECTION AND DOCUMENTATION IN PRACTICE-LED DESIGN RESEARCH33 cited
  • 2011Research Practice in Art and Design: Experiential Knowledge and Organised Inquiry30 cited

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