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The Ontology of Musical Works and the Role of Intuitions: An Experimental Study
16 references·0 citing·30 second hop
The Ontology of Musical Works and the Role of Intuitions: An Experimental Study (2017)The Ontology of Musical Works and the Rol…Art and its Objects (2015)Art and its ObjectsWhere Philosophical Intuitions Come From (2014)Where Philosophical Intuition…Experimental Philosophy: An Introduction (2013)Experimental Philosophy: An I…Experimental Philosophy (2008)Experimental PhilosophyAn Experimental Philosophy Manifesto (2008)An Experimental Philosophy Ma…Works of Music (2007)Works of MusicThe Imaginary Museum Of Musical Works (2007)The Imaginary Museum Of Music…How to Challenge Intuitions Empirically Without Risking Skepticism (2007)How to Challenge Intuitions E…Making Tracks: The Ontology of Rock Music (2006)Making Tracks: The Ontology o…Defending Musical Perdurantism (2005)Defending Musical PerdurantismCan a Musical Work Be Created? (2004)Can a Musical Work Be Created?Art as Performance (2004)Art as PerformanceNormativity and Epistemic Intuitions (2001)Normativity and Epistemic Int…Musical Works and Performances (2001)Musical Works and PerformancesMusical works as eternal types (2000)Musical works as eternal typesMusic, Art, and Metaphysics. (1993)Music, Art, and Metaphysics.Judgment under Uncertainty (1982)11. Reasons and Persons (1986)Confirmation Bias: A Ubiquitous Phenomenon in Many Guises (1998)Are philosophers expert intuiters? (2010)Gettier Across Cultures 1 (2015)The Intellectual Given (2015)Contrastive Knowledge Surveyed (2010)Simple Heuristics in a Social World (2012)Aesthetics and the Sciences of Mind (2014)Artworks as Historical Individuals (2003)The Ontology of Art (2004)Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments (2009)Music Performance Research at the Millennium (2003)Art and Intention (2005)Authenticity (2018)Emotion and Peace of Mind (2002)Metaphysical Disputes and Metalinguistic Negotiation (2016)Ordinary Objects (2007)How to have a radically minimal ontology (2009)Descriptivism and Its Discontents (2017)The Metaphysics of Establishments (2019)THE RISE AND FALL OF EXPERIMENTAL PHILOSOPHY (2007)Intuitions and Experiments: A Defense of the Case Method in Epistemology (2012)Philosophical Naturalism (2016)Behavioral Ethics: Toward a Deeper Understanding of Moral Judgment and Dishonesty (2012)Approach, Ability, Aftermath: A Psychological Process Framework of Unethical Behavior at Work (2015)Estimating the Reproducibility of Experimental Philosophy (2018)The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity (2003)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Classical music as enforced Utopia (2016)
this work references cited by second hop

References

  • 2001Normativity and Epistemic Intuitions974 cited
  • 2015Art and its Objects434 cited
  • 2007The Imaginary Museum Of Musical Works352 cited
  • 2008An Experimental Philosophy Manifesto338 cited
  • 2001Musical Works and Performances332 cited
  • 2008Experimental Philosophy332 cited
  • 2004Art as Performance309 cited
  • 2007How to Challenge Intuitions Empirically Without Risking Skepticism292 cited
  • 1993Music, Art, and Metaphysics.270 cited
  • 2007Works of Music173 cited
  • 2000Musical works as eternal types153 cited
  • 2006Making Tracks: The Ontology of Rock Music119 cited
  • 2005Defending Musical Perdurantism100 cited
  • 2004Can a Musical Work Be Created?98 cited
  • 2013Experimental Philosophy: An Introduction55 cited
  • 2014Where Philosophical Intuitions Come From49 cited

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