SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Dusk
7 references·0 citing·30 second hop
Dusk (2017)DuskTheatre Engine (2013)Theatre EngineDance-inspired technology, technology-inspired dance (2012)Dance-inspired technology, te…An unfinished drama (2012)An unfinished dramaTemporal integration of interactive technology in dance (2011)Temporal integration of inter…Disembodied performance (2009)Disembodied performanceMan in |e|space.mov / motion analysis in 3D space (2005)Man in |e|space.mov / motion …Live Media: Interactive Technology and Theatre (2001)Live Media: Interactive Techn…Forms of talk (1981)Hamlet on the holodeck: the future of narrative in cyberspace (1997)Interweaving place and story in a location-based audio drama (2016)Interactive Performance as a Means of Civic Dialogue (2017)Expanding the Design Space for Technology-Mediated Theatre Experiences (2021)From The Emancipated Spectator (2025)Computers as Theatre (1993)Becoming-Animate: On the Performed Limits of "Human" (2006)The Work of Art in the Age of Mechanical Reproduction (2007)Liveness: performance in a mediatized culture (2008)Challenges for Creating and Staging Interactive Costumes for the Theatre Stage (2015)Shakespeare, Spectatorship and the Technologies of Performance (2020)The Uncanny Valley: Effect of Realism on the Impression of Artificial Human Faces (2007)Reality = Relevance? Insights from Spontaneous Modulations of the Brain's Default Network when Telling Apart Reality from Fiction (2009)Designing (Inter)Active Costumes for Professional Stages (2017)Crafting Trajectories of Smart Phone Use at the Opera (2022)To Dance is Human: A Theory of Nonverbal Communication (1979)Explorations in Art and Technology (2002)The choreographer's notebook (2011)danceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology (2014)Twenty Years of Creativity Research in Human-Computer Interaction (2018)"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)Mixing dance realities (2004)Human-Machine Reconfigurations: Plans and Situated Actions (2006)Human-Machine Reconfigurations: Plans and situated actions (2nd edition). (2007)Here and Now: Creating Improvisational Dance Movements with a Mixed Reality Mirror (2023)Affective Computing (1997)Emotion and sociable humanoid robots (2003)Digital performance: a history of new media in theater, dance, performance art, and installation (2007)Human-robot interactions as theatre (2011)
this work references cited by second hop

References

  • 2001Live Media: Interactive Technology and Theatre78 cited
  • 2012Dance-inspired technology, technology-inspired dance45 cited
  • 2011Temporal integration of interactive technology in dance25 cited
  • 2012An unfinished drama19 cited
  • 2013Theatre Engine11 cited
  • 2009Disembodied performance9 cited
  • 2005Man in |e|space.mov / motion analysis in 3D space6 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work